Page 2 - jr080421
P. 2

Kenneth  Helphand  sketches a landscape,   Drawing  by  Lawrence  Halprin,  z"l.  View  from  Goldman  Promenade  looking  toward  the
        a common practice of one of the 20th cen-  Haas Promenade. The Haas Promenade overlooking Jerusalem is likely one of Halprin’s
        tury’s great landscape architects Lawrence   most visited designs in Israel, with most tour groups stopping there for the magnificent view
        Halprin, z”l. Kenneth is considered one of   of the Old City, the Dome of the Rock, Mount Scopus, the modern sections of Jerusalem
        the foremost authorities on Halprin’s work.  and the desert beyond. (Courtesy Bruce Levin).

        Portland fountain designer Halprin's Israel fame


        BY DEBORAH MOON                       During his first sabbatical from the Uni-  ning, national parks and was an influential
         Landscape architect  Lawrence Halprin  versity  of Oregon in  1980-81, Kenneth  member of Mayor Teddy Kollek’s Jerusa-
        (1916-2009) is renowned for his iconic  taught design studio and the history of  lem Committee. His design projects, all in
        projects  in the  United  States:  the  Port-  landscape  architecture  at  the  Technion  in  Jerusalem, include: the Hadassah Medical
        land Fountains, Freeway Park, Ghirardelli  Haifa, Israel. During that year and many  Center, the Israel Museum and the Ben Ye-
        Square, Sea Ranch and the Franklin Dela-  subsequent visits, he visited many of Hal-  huda Mall. His most significant work is the
        no Roosevelt Memorial. Yet he also made  prin’s designs in Israel. A dozen years later,  Haas Promenade (with Shlomo Aronson)
        crucial  contributions  to  the  landscape  of  the Israeli  Association of Landscape  Ar-  and the Rhoda Goldman Promenade (with
        Israel, which played a large role in forming  chitects invited him to write what became  Bruce Levin).
        Halprin’s values and vision.         Dreaming  Gardens:  Landscape  Archi-  In a phone interview, Kenneth discussed
         Halprin lived in pre-state Israel as a teen-  tecture and the Making of Modern Israel.  Halprin’s work in Israel and Portland.
        ager, helped found a kibbutz in the 1930s  He is also the author of Lawrence Halprin   “The  clear  intention  in  virtually  all  his
        and maintained a relationship with the land  (part of the Masters of Modern Landscape  design work is how do you engage people
        and people throughout his life.      Design Series).                      in the landscape? A multi-sensory experi-
         Kenneth  Helphand,  the  guest  curator  of   But when the Landscape Journal asked  ence people see, feel, touch and hear,” says
        the current exhibit of Halprin’s Portland  him  to  write  “Halprin  in  Israel”  for the  Kenneth. “The intention in Portland is to
        Fountains (see next page), says that Halprin  journal’s 2012 special issue devoted to  engage people in the fountains, in the wa-
        credits that formative experience, especial-  Halprin, Kenneth took a deeper dive. He  ter, in the sensory experience that kind of
        ly on the kibbutz, with creating his values of  perused all of Halprin’s 167 notebooks in  microclimate creates. … They are inspired
        community working together and people’s  the Lawrence Halprin Collection, The Ar-  by mountain landscapes – originally the
        knowledge and respect for the land.    chitectural Archives, University of Penn-  Sierras and certainly the Cascades – (and)
         “Halprin’s ties to Israel are especially no-  sylvania. Kenneth searched the notebooks  trying to get a sense of that into the city.”
        table,” says Judy Margles, director of Or-  for sketches and notes about Israel before   While  his design for Portland’s "Open
        egon Jewish Museum and Center for Ho-  writing the in-depth, 20-page article. The  Space Sequence" revolves around water, in
        locaust Education. “When I look at photos  article includes Kenneth’s photographs of  Israel Halprin uses water sparingly.
        of Ein Hashofet, the kibbutz that he helped  Halprin’s projects and several sketches and   “You shouldn’t have something like that
        found in the 1930s and one that I lived on  notes from Halprin.           in Israel, because water is so scarce,” says
        for a summer when I was 14, I see the in-  “Israel  and  Jerusalem  have  affected  my  Kenneth. “If you are going to use water,
        fluence of its landscape on his projects, es-  life ever since – my value systems and my  you need to … use water in very prudent
        pecially the Haas Promenade in Jerusalem  attitudes  have  been  deeply  influenced.  I  ways” – a single jet to create the sounds of
        and Sea Ranch in California. I’m grateful  have been deeply swayed by Israelis’ rev-  water or a fountain modeled on the village
        to curator Kenny Helphand for noting this  erence for the land,” wrote Halprin in 1981  fountains  where  villagers  would get  their
        important  aspect  of Halprin’s work and  in notebook 122.                water.
        providing us with a deeper understanding   The article abstract notes: In Israel, Hal-  He notes in his article for the Landscape
        of what inspired him.”               prin advised on national  landscape plan-            Continued on next page
        2 Jewish Review Aug. 4, 2021
   1   2   3   4   5   6   7