Page 144 - Art and Crafts of Bangladesh
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SCULPTURE   141




                              D. Reflection of the Liberation War in Post
                              Independence Sculptures and Monuments
                                           Abu Md. Delwar Hossain

                     Sculptures on the War of Liberation are undoubtedly a new addition to the fine arts
                     following the Independence of Bangladesh. Sculptures have been used in representing
                     national pride, victories, royal or political power at different times and places across
                     the globe. The people of Bangladesh have also tried to make the memory of the
                     Liberation War indelible through sculptures on this glorious chapter of the country. 107
                     The most important and remarkable event in the history of Bangladesh and the Bengali
                     nation is the Liberation War of 1971. After Independence there has been a
                     comprehensive change in every sphere of life and this change is also observable in the
                     fine arts. Despite superstition, illiteracy and fanaticism, modern architecture and
                     sculpture of the country have progressed with a new enthusiasm during the Post
                     Liberation Period. Sculptures on the War of Liberation have advanced the sculptural
                     art of Bangladesh quite remarkably. Through large sized sculptures and architectures
                     on the theme of the War of Liberation, our artists have been able to break the shackles
                     of conservative norms and customs of society.
                     Sculptures and architectures on the War of Liberation were in most cases built to
                     uphold the Liberation War, mass killing, sacrifices and heroism of the Bengalis. In
                     addition to institutionally trained artists, some memorials and columns were built
                     through the enthusiasm of local freedom fighters, educational institutions and other
                     enterprising people. Though at the beginning, sculptures and architectures were
                     built at the universities, educational institutions and cantonments, nowadays
                     sculptures of different sizes are being built at different places of interest and
                     various establishments.
                     Sculptures of the Liberation War
                     Combining the qualities of permanence, evocativeness and possibilities there is no
                     other medium stronger than sculpture. Despite various efforts to manifest the spirit of
                     the Liberation War, sculptures in their monumentality most effectively uphold the
                     essence of the noble Liberation War.
                     The first sculpture on the Liberation War Freedom Fighter (fig. 2.50) was built by Abdur
                     Razzaque at the initiative of the Bangladesh Army on the island of the Chowrasta or
                     crossroad in Jaydevpur in 1972-73. Built on a 22ft high base, the 18ft sculpture shows a
                     freedom fighter about to throw a grenade with his right hand and holding a rifle in the
                     other. Around the base of the sculpture the names of 207 martyrs are inscribed. Discussing
                     the style of the sculpture, architect Rabiul Hussain states that it seems to lack movement.
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