Page 327 - Art and Crafts of Bangladesh
P. 327

324  ART AND CRAFTS





                                                           c. Safiuddin Ahmed
                                                               Sovon Som


                                   Safiuddin Ahmed was born on 23 June 1922 at Bhabanipur in Kolkata in a liberal and
                                   aristocratic Muslim family. His father Matinuddin Ahmed was a sub-registrar of the
                                   Land Office of the Government of Bengal. His mother Bibi Jamila Khatun was a
                                   housewife. For three generations his   joint family had lived in his paternal homestead
                                   in Bhabanipur. His paternal grandfather, Aminuddin Ahmed, was a popular doctor of
                                   Bhabanipur. He was known as Bechu Daktar by the people of that locality. The road
                                   in front of his house was named Bechu Daktar Lane after his death under the initiative
                                   of Kolkata Municipality. Even now it is known by the same name.
                                   Bhabanipur was then adjacent to  shahebpara Chaurangi. Although people from
                                   different provinces lived in this area, the majority of the inhabitants were culturally
                                   conscious Bengali Hindus and Muslims. Baliganj of South Kolkata was then in the
                                   suburbs, populated sparsely. Bhabanipur was the most aristocratic area of South
                                   Kolkata and located here were the homesteads of many distinguished Bengalis of that
                                   and later times. The first twenty-four years of Safiuddin’s life was spent in this milieu
                                   devoted to the pursuit of education and cultural activity prevalent in Bhabanipur. As a
                                   result, Safiuddin was encouraged by his immediate environment to participate in
                                   activities related to music, art, literature and the student movement.
                                   In 1936 when he got admitted to the Calcutta Government Art School it was only
                                   rarely and in very negligible numbers that children from Muslim families went to the
                                   Art School. Mukulchandra Dey who hailed from Dhaka was the principal of this
                                   school at that time. Rabindranath Tagore looked upon Mukul Chandra with fatherly
                          fig. 8.16  affection; Mukulchandra had been a student of the Santiniketan Brahmacharya School
                   Safiuddin Ahmed  and the classmate of Tagore’s prematurely deceased youngest son, Samindranath. It
                                                was at Rabindranath’s wish that Mukulchandra first went as his
                                                traveling companion to Japan in 1916 and later to the USA to learn
                                                the techniques of printmaking. Later, in 1920 he went to the Royal
                                                College in London for higher education in Fine Arts. He studied there
                                                under Moorehead Bone and William Rothenstein, the admirers of
                                                Rabindranath. An Associate of the Royal College in 1928, Mukul
                                                Chandra joined the Government Art School of Kolkata as its first
                                                Indian Principal on returning from London. He held the post of
                                                Principal till 1943.
                                                In 1903 Upendrakishore Raychaudhuri of Mymensingh introduced to
                                                this country the photographic technique of block making from
                                                England. Until then various pictures, maps, etc. were printed in the
   322   323   324   325   326   327   328   329   330   331   332