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422  ART AND CRAFTS


                                   that Nawab Khwaja Yusuf Jaan, a member of this family, also patronized
                                   photography. Nawabzada Khwaja Afzal, Khwaja Solayman Kader, Khwaja Azmal,
                                   Khwaja Zahir, Khwaja Latifullah and Khwaja Masukullah left their signature of
                                   creativity as amateur photographers. 19
                                   2.2 The Early Pioneers
                                   Englishman Alexander Forbes was the editor of Dhaka News (1856), the first weekly
                                   of Dhaka. He also did some photography in Dhaka as part of his job as a journalist.
                                   Nawab Sir Khwaja Ahsanullah (1846-1901) of Dhaka played a vital role in furthering
                                   photography in British India. He was born at a time when photography began in
                                   Kolkata. Acquaintance with the British helped him and his family to come into contact
                                   with cameras at the initial stage and he also mastered the techniques of photography.
                                   However, no photograph taken by him is available anymore. Patronized by him, a
                                   famous German photographer named Fritz Kapp living in Kolkata took many photos
                                   of Dhaka city and the Nawab family. These photographs are of great historical value
                                   today. The most important role Nawab Khwaja Ahsanullah played as a photographer
                                   is in patronizing organizations. He was the active director and also a member of
                                   Kolkata-centered ‘Photographic Society or India’, established in the 1980s.
                                   Upendrakishore Raychaudhuri (1869-1915), a son of the Chaudhuri family of the
                                   Masua village of Kishoreganj, Mymensingh, lived in Kolkata. He started photography
                                   in his college years. He took up photography as a profession in the 1980s. His biggest
                                   contributions in the history of photography are development of the half-tone technique
                                   and reflections on the aesthetics of photography. He excelled in printing photographs
                                   using red half-tone blocks. He discovered processes of creating different types of
                                   diaphragms, invented the re-screen adjustment machine and diotype-reprint technique.
                                   He set up a block-making company named U.K. Roy and Sons Company in Kolkata.
                                   Articles written by him on matters of photography were appreciated both at home and
                                   abroad. His brother Kuladaranjan Ray and son Sukumar Ray also made worthy
                                   contributions in the history of photography in Bengal. Sukumar Ray (1887-1923),
                                                                               20
                                   son of Upendrakishore Ray was a poet, actor, singer and editor (Sandesh). He was also
                                   renowned as a skilled photographer. His photographs were published in newspapers of
                                   Britain when he was a teenager and he was also awarded for his photographs. He was
                                   the second Indian member (1912) of London’s Royal Photographic Society. There are
                                   many photographs of Rabindranath Tagore among the important photos he took. 21
                                   Nilmadhab De was born in Kolkata in the first half of the 19th century. After working
                                   as a photographer in Nepal, he set up a studio named ‘The Bengal Photographers’ in
                                   Kolkata in 1862. According to some experts, it is the first photography studio by a
                                   Bengali. Samarendra Chandra Deb Barman (1862-1935), son of Maharaja Birchandra
                                   Manikya of Tripura was sincere, successful and unique in his photographic endeavors
                                   in undivided British Bengal. He was also a theoretician in photographic matters.
                                   Besides getting four medals in Britain in an exhibition for photographs printed on
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