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PHOTOGRAPHY   455


                     5.3 Women Photographers: New Generation
                     With the expansion of education in photography
                     and increase in various activities quite a number
                     of women photographers have entered the arena.
                     After completing the basic photography course
                     from the Dhaka University Photography
                     Academy in 1986 and upon graduating from
                     ‘Pathshala’ in photography in 2000 Munira
                     Morshed Munni began to practice professional
                     photography from 1996 and including
                     photographing stills of art films she is now
                     working as a photographer enlisted by UNICEF.
                     Furthermore, notable among the new generation
                     women photographers are Masuma Pia, Farzana
                     Khan Godhuli, Syeda Farhana, Kakoli Pradhan,
                     Snigdha Zaman, Juthika Howladar, Sanjida
                     Shaheed, Sameera Haque, Laila Anwar Bindu. Besides the various trends in currency,  fig. 10.33  (top) Prarthana
                     the women photographers have occasionally pictured their own situation from a  (Worship), photograph
                     different perspective. On 8 March 2005 on the occasion of the International Women’s  Sayeeda Khanum,
                                                                                            © Sayeeda Khanum
                     Day the senior and junior photographers of the country held a group exhibition in the
                     program of ‘Bikkhubdha Nari Morcha’ under the banner ‘Jwaley Uthi Sahoshi Nari.’  fig. 10.34 (bottom)
                     Recently on 8 March 2006 a competition and exhibition of women artists was held  Photograph Dolly Anwar,
                     organized by Icon Photo.                                               after the album Bangladesh
                     6.0 The Different Subjects and Trends of Photography in Bangladesh     Land and People (published
                                                                                            by DFP), winning the
                     After 1971 the overall practice, exhibitions and publications of the photographers of  bronze award in the 3rd
                     Bangladesh have clearly manifested some subjects and trends. However, almost all  Commonwealth
                     artists have practiced in a variety of subjects or trends.             Photography Exhibition of
                     6.1 Nature, Life and Culture                                           1986.
                     The beautiful natural scenery, the life of the people and culture has invariably
                     attracted all the photographers of the country, young or old. Through their
                     search uniquely beautiful Bangladesh has been uncovered in photography. The
                     beauty of rural Bengal has been reflected in the photographs of Azmal Haq.
                     Naib Uddin Ahmed ‘integrates man with nature.’ 102  The inherent aesthetic
                     expression of people in the midst of charming nature is captivated in his
                     photographs. Amanul Haq presents in his Amar Desh series of photographs a
                     rich and beautiful Bangladesh. M. A. Beg has taken realistic photographs of the
                     way of life of man and nature. Noazesh Ahmed has artistically expressed the
                     grace and drama of nature. The photographs of Anwar Hossain create a
                     spontaneous and beautiful world of nature and life of Bangladesh (fig. 10.35).
                     The simple and easy life of rural Bengal and a spontaneous expression of the
                     beauty of nature is found in the works of Monzurul Alam Chowdhury, Selim
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