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PAINTING  43


                     series paintings also expresses this
                     philosophical ardor, for example–
                     Transformation (fig. 1.23), Sphere etc.
                     Aminul Islam’s artworks started to
                     show a tendency towards abstraction
                     from the year 1956. It can be said that
                     he started his journey into composing
                     completely abstract images from late
                     1960s. Up till 1970, his practice in
                     painting progressed more or less in the
                     same trend. From the semi-geometrical
                     and semi-abstract, he progressed
                     towards pure abstraction– towards an
                     aesthetic arrangement of colors, lines
                     and shapes. This arrangement is an
                     attempt at pictorial beauty which is
                     parallel to musical beat, tempo and
                     rhythm, which may remind us of Kandinsky as a comparison. Simultaneously life and  fig.  1.23 Aminul Islam,
                     the universe, man’s position in the context of the cosmos made him ponder. The  Transformation-3,
                     manifestation of all these occurred in the  Transformation  series during the sixties.  acrylic, 1967
                     Clustered forms, texture, and brightness of light create a cosmos like environment. The
                     independence war of Bangladesh stirred him and to express his response to it he left
                     the world of abstraction and again turned to representational style– in a few collages he
                     depicted the horror of absolute destruction. Moreover, he created a few paintings in the
                     Surrealist style where he attempted to capture contemporary times through various
                     symbols and signs. From1974 Aminul Islam composed a few paintings by attaching
                     broken pieces of glass to the canvass. This is also a kind of self-discovery and
                     questioning of life. The artist has seen his own distorted and broken image in the pieces
                     of broken mirror and seems to be expressing the alternate personality within the
                     individual. In Sphere, another series of the same period, a centralized circular form
                     implies the state of motion of the revolving universe. His questions regarding life
                     appear again and again through the explosion, gyration and other symbols. Starting
                     from the beginning of the nineties in the Fungus series paintings and the use of dancing
                     lines in more recent times are also manifestations of the two key themes of Aminul
                     Islam’s thoughts on art. One is the consideration of the pictorial plane– an attempt to
                     unify colors, lines and shapes. The other is his questioning of life– the urge to
                     determine the position of earth and man in the cosmic context. Aminul Islam has
                     composed a few important murals in the fresco and mosaic method.  Among these, the
                     ones in the Bangladesh Bank building, Holy Cross College, Secretariat, Osmani
                     Memorial Auditorium, BCIC building, Janata Bank etc. are worth mentioning.
                     Hamidur Rahman is a restless, determined, extremely individualistic and perceptive
                     artist. He is always eager to break the shackles of conventionality, always
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