Page 483 - Art and Crafts of Bangladesh

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93. Al Mahmud, “Mukhaboyaber Alokchitri, Nasir Ali Mamun,” Sonarang Camerar Kabi Nasir Ali
Mamun, Byaktitva Sankhya-1, (July 2005), 10.
94. Licentiate of BPS.
95. Hemayet Uddin Ahmed, “Foreword,” in Anwar Hossain (ed.), Bangladesh life & Culture, (Dhaka
1986), 2.
96. Anwar Hossain (ed.), “Editorial” BPS News Letter, (September 1987), 3.
97. Hon. FRPS – Honorary Fellow of Royal Photographic Society.
98. Dr. Shahidul Alam, “Mukhomukhi,” Portrait Alokchitra Bishayak Patrika, Year-3: Issue-4, Year-4,
Issue-1 (January-March, April-June, 2001), 19.
99. Shamsur Rahman in the speech, delivered on the occasion of the second solo photography exhibition
of Sayeeda Khanum, Fazlur Rahman Jhinu (ed.), Photography, Year 6: Issue 6, (June 1987) 11,
100. Anwar Hossain (ed.), “Bishwabidyalay Alokchitra Academy,” BPS News Letter, Year 8, (November,
1986), 7.
101. Anwar Hossain (ed.), “Mahilader Prothom Alokchitra Pradarshani,” BPS News Letter, Year 8,
(December, 1986), 22.
102. B.K. Jahangir, “Photography in Bangladesh,” op.cit., 3.
103. ‘They work hard but they do not get their share. Most of their incomes are eaten up by the half-educated
middle man and the full educated politicians,’ M. A. Beg, Rural Bangladesh, (Dhaka 1993), 2.
104. ‘His farmers want to speak of their struggle, their happiness and sorrows, their hopes and despair. His
labourers and mill workers out-cry, we want to live and build our country,’ Dr. Noazesh Ahmed,
“Photography In Bangladesh,” BPS News Letter, (June, 1987), 30.
105. Mahabub Haider, “Art on wings,” Star Weekend Magazine, Volume 3: Issue 107, (July 10, 1998), 20.
106. M.A. Beg, “Photography Bishaya Uchcha Shikshar Byabasta Chai,” Monthly Photography published
by BPS, Year 5: Issue 12, (December, 1996), 2.
107. ‘Our photographers have been photographers of the masses not that of our avant-garde intellectual elite
that live for itself. Dr. Shahidul Alam’, “Looking over the Horizon,” BPS News Letter, (January, 1986), 3.
108. Dr. Siddique-E-Rabbani, “Bangladesher Samkalin Alokchitran,” BPS News Letter, July, 1987), 11.
109. ‘Bangladesh Photography contains both the traditions, though the thematic tradition is the dominant
one,’ B.K. Jahangir ‘Photography In Bangladesh’ op.cit., 3.
110. Dr. Siddique E-Rabbani, op.cit., 11.
111. ‘Bold experimentation on thematic horizon, subtlety of color, form, perspective and graphical quality
is still limited, Bulk of the present day photography is influenced by commercialization blurred by the
lack of adequate intellectual insights and philosophical visions,’ Dr. Noazesh Ahmed, “Photography
In Bangladesh,” BPS News Letter, (June, 1987),34.
112. ‘The photographs in this book draw a symbolic parallel between the constantly shifting landscapes of
the fringes of the Bangladesh delta and the lines life has furrowed on the faces of same of its oldest
inhabitants.’ Sylvain Maresca, “Postface,” in Gilles Saussier, Living in the Fringes, (Netherlands
1998), 130.
113. Shamsur Rahman, op.cit., BPS News Letter, (March 1984),11.
114. Dr. Noazesh Ahmed, “Photography In Bangladesh” BPS News Letter, (June, 1987), 33.
115. Touhidun Nabi, “Chhabir Srasta-19,” Photography, Monthly Bulletin of BPS, (February, 1996), 3.
116. A.B.M. Rafiqur Rahman, “Smritir Pata Thekey,” Focus Special Souvenir-2001, Bangladesh
Photojournalist Association, (2001), 37.
117. “Bangladesh Photojournalist Association Ayojito Round Table Baithaker Sar Sankalan O
Suparishmala” Focus, ibid., (Dhaka 2001), 5-6.
118. ‘Most photojournalists are threatened and harrassed during work. Most of them are wounded by the
law and order enforcing agencies and threatened by the political sector’. Shima Moslem, Kamrul
Haque, Bangladesher Sambadpatrey Prakashita Alokchitra Ekti Mulyayan, (Dhaka 1999), 10.
119. Ibid., 9.
120. Ibid., 10.