Page 28 - 1916 February - To Dragma
P. 28

TO DRAG MA OF ALPHA OMICRON PI  107

y THE COLLEGE GIRL AND GRADE WORK

                                                                M A T T I E R . CARSKADON, K ' 1 4

es Teacher of Fifth Grade, Tome School, Port Deposit, Md.

e, When a girl begins her first year of teaching, she is usually given
                          so much advice that, for self-preservation, she casts all aside, except

y perhaps a few fundamental principles, and plunges boldly in, with
o. enthusiasm as an only guide. This enthusiasm is a splendid thing,

                          and vet I wonder if it doesn't often lead us astray?
                             After teaching for several months my first year, I began to feel

                          that something was wrong with my work. I was interested, and,
d to a certain extent, the children were, yet we did not seem to be get-

                          ting any place. Then, one day, the supervisor came, and after
                          classes were dismissed and we were going over the day's work, her
                          first remark gave me the cue. "The spirit of your room is splendid,
                          but where is the system that guides the spirit?" she asked. I thought
                         over her question carefully for a few days, and then I realized just
e what she meant. I t rather surprised me that I was lacking in system,
                          for in college I had done tilings in a more or less methodical manner.
d. Without giving much thought to a clearly defined system, I imagined
 - that I had one. That is just where the college girl entering grade
                          work must bring her ingenuity into play. She is not given the
d valuable normal training, that places so much emphasis on "system"
l, and "plans," and she must learn from personal experience in the
y classroom.
6 It is most important that a teacher have a clear outline of her
                          work, and that once having made this outline she follow it rigidly.
- There should be "an order" of recitations, and the children should
                          understand that this "order" is law. The daily lesson plan should
                          also play an important part, and although it may seem a stupendous
                          task to form a plan for every lesson every day, yet i f the habit is
                          formed gradually—the teacher soon realizes the help it gives her
                          at recitation period, and she willingly gives the extra time. There
                          must not only be "system" in the work but there should be "reason"
                          in the teacher's every action. We all know the difference between
                          two schoolrooms—one where order and industry reign, and the other
                          where an anxious, nervous teacher keeps exclaiming, "Sit down,
                          Mary." "Put your feet under your desk, John." Yet how easy
                          it is for us to fall into the habit of not making our words count.
                          Children are splendid judges, there are none better, and there is no
                          better test of a teacher's ability than the attitude of her students.
                          Think, then, how careful we, as teachers should be to give and
                          demand the best.
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