Page 9 - To Dragma May 1934
P. 9

6                                                                                                    To DRAG«1     MA
                                                       There is something, too, of the "goodly
garden, hemmed in with its line of stately          heritage" of the past, and something of the                 R
young poplars, and beyond it, over the rolling      old world, in this very ordinary room. Sev-
meadows, to the river and the wooded west           eral prim straight-back chairs of an earlier                     ^
banks of the Mississippi. Certain it is that this   day give in atmosphere and charm what a few                      I
window has its associations, too, for it recalls    overstuffed chairs—in blue and of distinctly                     •
not only the hours spent by Miss Chase in           twentieth century character—make up in com-                      B
waging warfare against the cutworms and re-         fort. A long mirror in a quaint dark blue                        I
calcitrant foxgloves in the deep recesses of        frame etched in sombre rust-red and the an-                      I
the garden, but also the hours in which the         cient chest of drawers beneath it, come, so                      r
awareness of the eternal geometrizing of God        tradition says, from one of those "substantial                   I
became so acute and took such beautiful shape       homes of wood and brick, homes with wide-                        |»
in her essay, Mystical Mathematics.                 mouthed chimneys, broad roofs, and beautiful                     |
                                                    doorways," back in New England. Another
    Within, the room has, from an artistic point    mirror in a mahogany frame and an equally
of view, no special claim to distinction other      ancient chest of drawers are said to have come
than its simplicity. Its color is prevailingly      from the home of one of our earliest New
blue—the varied and sHTfting blue, Miss Chase       England poets. On a what-not, standing near
might say, of "the blue wings of birds." Other      the doorway, there is a miniature Winged Vic-
than that, it has no unity of design. It has        tory, a Bible, a worn Reflections for Religiousi
indeed an air of friendly casualness, as if it      and a number of the other incongruous ar-
had concurred quite accidentally, acquiring         ticles that it is fitting a true what-not should
thereby an effect of genial good fellowship         have.
and glad little surprises, as when friends—            I do not know what Miss Chase likes best
old and new—just drop in. Its rugs are of a         in this room. But I suspect a predilection for
warm blue with sociable patterns of deep reds       a carved wooden crucifix, a small replica—
and browns and yellows. Its pictures are old        hand-wrought by one of the Sisters at St
favorites and new: a copy of a fresco, depict-      Catherine's—with rugged steps and prie-dietl
ing a medieval hunting scene in motley colors;      and all, of those picturesque crosses she must
several eighteenth century French prints; an        have seen so often along the wayside in the
etching of a nameless English village lane; a       countries of Catholic Europe. Or perhaps her
plaque of a Giotto St. Francis of Assisi, a trip-   choice would be the desk, of all things the
tych of Franciscan saints with St. Clare as its     most personal and the most intimately one's
center; a Luini Madonna; some modern etch-          own. For Miss Chase it must be the symbol
ings of English cathedrals, in colors; a Delia      of hours of energy and accomplishment. For
Robbia Madonna and Qiild; a still-life study        here was read and was written the daily sheaf
of flowers and fruits in vivid colors—here in-      of letters; here was done the tedious work of
deed is infinite variety! Behind a lacquered        "proofing" The Golden Asse; here were writ-
screen, whose panels are gay with apple-blos-       ten many of the fragile pages of The Silver
soms and blue-jays and rea-breasts is the nar-      Shell; and here also—or somewhere in this
row bed with its cool blue coverlet and dainty      room—were released the first thoughts of The
puffs of blue organdy pillows. The table be-        Goodly Heritage. The desk would have an-
side the bed has, for utility, a blue-shaded        other source of attraction, too, for Miss Chase,
lamp and, for sheer joy in the having, an an-       who loves all "ancient and beautiful" things;
cient pewter candlestick and snuffer and a          for it is both antique and strikingly graceful
Majolica water jug. I think it was in this cor-     in its lines, having exquisitely carved legs, and
ner and in the opposite one, where there is a       housing, in its inmost recesses, whole rows of
very comfortable day bed, that some of Miss         secret drawers and mysterious closet-like com-
Chase's most pleasurable and most fruitful          partments—the kind of a desk in which one
hours were spent. For here, after the close         who delights in the harmony of order could
of a busy day—and even the day of an author         catalogue all the avenues of her mind and
who is, ostensibly, resting, can be very busy—      still find room for more.
there was time for the companionship of hooks
and sometimes even for long relaxing chats             I suppose the room should not rightly be
over the root beer and ice cream, furnished on      called an ordinary room with an ordinary des-
hot summer nights by the genie of the nearby        tiny. Might it not be that the aspiration and
Frigidaire. It is a part of Miss Chase's philos-    released energy of personalities have left their
ophy that root beer and ice cream, "milk and        mark on it?—first, of youthful art students,
bread, meat and spice-cake," are "objects of        struggling to subject their vagrant fancies to
poetic and spiritual significance surely could      the discipline of line and form and harmony
we but break through the veil of our familiar-      of color; then of an artist in books, seeking
ity with them, fit symbols of life, 'gratia plena'  to give form and color to her fine enthusiasms
indeed." What wonder then that her joy in           for the amenities of life, and to the more
the mystic beauty of The Cloud of Unknow-           subtle influences of the spirit that moves in
ing, in the reading of Dante and the deepening      her? Miss Chase, in her gracious way, has
conviction of his profound and sublime genius,      been eloquent in expressing her love for this
in the first meeting with the writings of Baron     room and what it has done for her. And yet
von Hugel—all intellectual and spiritual dis-       those of us who know her best, know that
coveries made in the lateness of after-convent      there are other reasons why Whitby 106 has
hours—should have given way at times to the         become and will continue to be "Miss Chases
more mundane and homely pleasures attendant         room."
upon convent kitchens and cloisters!
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