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2.2.                N O T E S                 177

                'Humorous   Man.'   The  latter =  the  fantastic,  like
                Jaques,  whose  supposed  topical  or  personal  references
                were  often  in  danger  of  interruption  by  victims  or
                their  partisans  (cf.  A.T.L.  2. 7. 48-87).  The  Fi  list  of
                players at the end  of 2 Hen. /^"describes  Falstaff and his
                companions  as  'irregular  humorists.'  W.  J.  Lawrence
                {Sh.'s  Workshop, p.  101)  suggests a reference  to trouble
                caused  by  the  ending  of  Jonson's  E.M.O.  in  1599
                (v. Chambers,  Will.  Shak. i. 423, E/iz.  Stage, iii. 361).
                  328-29.*  theLady..  .haltfor't  'The lady, of course,
                will have indecent words to utter; if she omits them, the
                halting  blank verse will betray her delicacy'  (Dowden).
                   332.  the tragedians  of the city  Generally  taken  as a
                topical reference; if so, more appropriate to the Lord. Ad-
                miral's men, with its famous tragic player, Edward Alleyn
                and  its  Marlowe repertory, than to Sh.'s company, who
                at this  date had made their reputation  in  comedy rather
                than  in tragedy.  Cf.  notes  2. 2. 335-36,  339, 395-96,
                451, and  G.  B.  Harrison,  Sh.  at  Work, pp.  273-76.
                   333.  residence i.e. in the city.
                   335—36.  their  inhibition..  .innovation  Much  dis-
                cussed,  but  without  agreement.  A  few  points  may  be
                made: (i) The  'innovation'  has nothing  to  do with  the
                'little eyases,' as many have assumed,  since it is expressly
                stated to be the cause of an 'inhibition,' i.e. a prohibition
                of playing  by authority,  (ii)  As Boas {Sh. and the  Uni-
                versities, p.  23 n.)  shows,  'innovation'  always  means a
                political  upheaval  of  some  kind  in  Sh.  He  quotes
                 I  Hen.  IF,  5.  1. 78  'hurlyburly  innovation'  and  Oth.
                 2.3.42, to which I  may add  Cor. 3. 1.  175 'a traitorous
                innovator'  and  More  (Sh.'s  Addition),  11. 92-3  'You
                shall  perceive  how  horrible  a  shape/Your  innovation
                bears.'  And  if  the  passage  (as  I  think)  was  written  in
                 1601, the  'innovation'  can hardly  be other than that of
                the Earl of Essex in Feb. of that year,  (iii) Sh.'s company
                were  certainly  not  inhibited  on  account  of  the  Essex
                rising, since they were  acting  at court  on the  eve of the
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