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i84                 NOTES                    2.2.

                upon the purpose of the episode that follows nor whether
                Sh. himself approved of the Pyrrhus speech. Two titles
                of a dramatic rendering of the Dido story have come
                down to us from that period: the extant Dido, Qyeen of
                Carthage, printed 1594, ascribed on the title-page to
                Marlowe and Nashe, and Dido and Aeneas, of which
                we know nothing except that it was acted on Jan. 8,1598
                by the Admiral's men, and prob. acquired by them from
                the Pembroke men, for whom Nashe wrote (v. Cham-
                bers, Eliz. Stage, ii. 132). The former contains a
                Pyrrhus speech; but Sh.'s speech is better poetry, tells
                a different story, and draws from Vergil in other ways
                than Marlowe's, to which, apart from one striking
                parallel (v. note 2. 2. 476-78), it seems to owe nothing
                at all. Fleay (v. Furness) and H. D. Gray (M.L.R. xv.
                217 ff.) contend that Sh. is quoting from an old play of
                his own, written in rivalry to Marlowe's. The materials
                are too scanty to admit of dogmatism; but I tentatively
                suggest as an alternative that the two Dido plays were
                really two stages of the same play-book, the play per-
                formed in 1598 being a revision, perhaps by Chapman
                or Drayton, of the 1594 text (v. notes 11. 487-91,
                 506, 521, 580-83), and that Sh., who had admired this
                performance with reservations, set out to show that he
                 could better its style and criticise it at the same time.
                 I have no doubt at all that the speech is Sh.'s (cf. notes
                11. 487-91, 499-501). It should be noted that Alleyn
                appears to have been absent from the Admiral's men in
                Jan. 1598; if so he did not play Aeneas (v. Chambers,
                 Eliz. Stage, ii. 157; Greg, Alcazar and Orlando,
                 p. 92).
                   454. like th'Hyrcanian beast Cf. Aen. iv. 367
                 'Hyrcanaeque admorunt ubera tigres'—a phrase used
                 by Dido to 'perfidious' Aeneas, v. G. 'Hyrcanian.'
                   456-67. The rugged Pyrrhus.. .hellish Pyrrhus
                 There seems no basis either in Vergil or Marlowe for
                 this description. The nearest to 11. 459-63 we have is
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