Page 357 - Hamlet: The Cambridge Dover Wilson Shakespeare
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250                 N O T E S                 5.8.
                prick with a pinne, let us presently ruminate and say with  our
                selves, what  if it were death  itself?  and  thereupon  let  us take
                heart of grace, and  call our wits together  to confront  her....
                It  is  uncertain  where  death  looks  for  us;  let  us  expect  her
                everie where.... I  am ever prepared  about  that  which  I  may
                be... .A  man  should  ever,  as much  as in him  lieth,  be ready
                booted  to  take  his journey,  and  above  all  things,  looke  he
                have  then  nothing  to  doe  but  with  himselfe.... For  why
                should  we feare  to  lose a thing,  which  being  lost,  cannot  be
                moaned?..  .what  matter  is  it  when  it  cometh,  since  it  is
                unavoidable ?
                  220-22.  Since  no man..  Jet  be  £)2  'since  no  man
                of ought he leaues, knowes what ist to leaue  betimes, let
                be';  Fi  'since  no  man  ha's  ought  of  what  he  leaues.
                What is'tto leaue betimes?'  MSH.  pp. 214-15.  Most
                edd. follow F1  but add 'Let be'  from  Q2  as a  separate
                sentence.  No one has ever yet tried to make sense of Q 2
                as it stands. o  paraphrase:  since no  one  can tell  from
                           T
                anything  on  earth  ('of  aught  he  leaves')  what  is  the
                right  moment  to  die  (v.  G.  'betimes'),  why  trouble
                about it?
                   222.  S.D.*  Q2'A table prepard, Trumpets, Drums
                and  officers  with  Cushions,  King,  Queene,  and  all the
                state,  Foiles,  daggers,  and  Laertes.'  Fi  'Enter  King,
                Queene, Laertes and  Lords, with other Attendants with
                Foyles,  and  Gauntlets,  a  Table  and  Flagons  of  Wine
                on it.'  Eliz. actors were  expert swordsmen  and  a stage-
                duel  or  fence was  for many  spectators  the  chief  feature
                of the play in which it occurred.  It  is important,  there-
                fore,  to  try  and  understand  here  Sh.'s  intentions  in
                particular,  together  with  Eliz.  practice  in  general. The
                difference  between  'Foiles, daggers'  (Q2)  and  'Foyles
                               (
                and  Gauntlets' Fi)  points  to  a  change  of  fashion  in
                fence  between  1601  and  1623, when  F i  was  printed.
                It is clear from  11. 148, 152, above that Sh. intended the
                daggers,  which  at the  end  of the  16th  and  the  beg.  of
                the  17th c. were  held in the  left  hand and  used to ward
                off the  opponent's thrust  with  his rapier, the  while  one
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