Page 407 - Hamlet: The Cambridge Dover Wilson Shakespeare
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300         C O R R E C T I O N S  A N D      2.2.

                soliloquy.  For various interpretations  of Ham.'s  line of
                thought,  v. Trench, pp. 111-2 5, Adams, pp. 244-45,
                W. W. Greg (M.L.R. xxxi. 151), and my What happens
                in  Hamlet,  p.  142.  Adams  and  Greg  independently
                suggest that  Hamlet's first idea  is to use The Murder of
                Gonzago 'as a sort  of challenge to the ling' and that it
                is  only  later  (i.e. at the  end  of the  soliloquy)  that  he
                thinks  of making it 'a test of the  king's conscience' and
                of introducing the poisoning through the  ear to that end
                ('something  like  the  murder  of  my  father').  And
                Trench's theory is not dissimilar.  To me the  difference
                between  these  two  intentions  seems  so  slight  as to  be
                dramatically imperceptible.
                   562-63.  What's  Hecuba..  .weep  for  her?  Prof.
                J.  A.  K.  Thomson  draws  my  attention,  in  a  private
                letter,  to  an  anecdote  about  Alexander  of  Pherae,  a
                tyrant  of  the  'Cambyses'  sort,  in  Plutarch's  Life  of
                Pelopides (North's Plutarch, ii. 3 23,Tudor Translations),
                which runs:
                  And an other time being in a Theater, where the tragedy
                of  Troades  of  Euripides  was played,  he  went  out  of the
                Theater,  and  sent  word  to  the  players  notwithstandinge,
                that  they shoulde go on with  their playe, as if he had bene
                still amonge them: saying, that  he came not away for any
                misliking he had of them or of the play, but bicause he was
                ashamed his people shoulde see him weepe, to see"the miseries
                of  Hecuba  and Andromacha  played,  and  that  they never
                saw him pity  the death  of any  one man, of so many  of his
                citizens as he had caused to be slaine. The gilty  conscience
                therefore  of  this  cruell  and  heathen  tyran,  did  make him
                tremble at the only name and reputacion  of Epaminondas.
                The  story bridges  Ham.'s  soliloquy, as it were, since it
                deals with  a  remorseless  tyrant, like  Pyrrhus, who was
                also a  'guilty  creature  sitting  at a play.. .by the  very
                cunning  of  the  scene.. .struck.. .to  the  soul,'  and
                makes  him weep  for  Hecuba.  Sh., as  Prof. Thomson
                says, 'must  have  read  this story.  Plutarch tells it for its
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