Page 349 - King Lear: The Cambridge Dover Wilson Shakespeare
P. 349

274                  NOTES                     5.3.
               hither Polite indifference. You are (Q 2, F 2—Camb.)
               Q i 'You'r',Fi 'Your are'.
                  290. Nor...else 'Welcome! alas here's no welcome
               for me or anyone' (Cap. Notes). Some take it as a
               continuation of Kent's last words, i.e. no one else
               followed you. This ignores the Fool and is too self-
               assertive for Kent.
                  292. desperately=from despair.
                  294. S.D. (<Q) cf.l.250. F'Enter a Messenger*.
               'Messenger' (theatr.) =super.
                  295. sp.-hdg. F 'Mess.', Q 'Capt.\
                  296. know our intent The play ends as it began, with
               resignation of the throne—but of a very different sort.
               Cf. 1. 1. 33 ff.
                  297. this great decay Lear. Q£.Ant. 3.10.19, 'the
               noble ruin'.
                  300. S.D. (Mai.) Q,Fom. to you (Pope; J.D.W.)
               F, Q 'you to' a common error. Most edd. 'you, to'.
                  301. addition see G.
                  304. O see, see! Lear has taken 'her broken body in
               his arms again' (G.-B. p. 185).
                  305. my poor fool i.e. Cord. 'Fool' was often a term
               of compassionate endearment. But poss. the words were
                'intended to show a confused association in Lear's mind
               between his child and the Fool who loved her (as a
               very old man may confuse two of his children)'
               (Bradley, p. 314). But surely the Fool, like Kent, is
               forgotten.
                  308. Never Five times in F; 'to make a verse out of
               this one word required the boldness as well as the in-
               spiration which came infallibly to Sh. at the greatest
                moments' (Bradley, p. 293).
                  309. this button A button at Lear's throat, he feeling
               suffocated. See Introd. p.xxxviii.This feeling of suffoca-
               tion shd prob. be associated with Kent's 'O, let him
               pass!'—viz. his spirit struggling to leave its 'muddy
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