Page 36 - The Hollywood Reporter (January 2020)
P. 36

BEST PICTURE
                         Once Upon a Time







                                        in Hollywood











                            Quentin Tarantino’s ninth feature has the director’s trademark

                          revisionist history and irreverent violence — but it’s also his most

                                        emotional and personal film yet BY TYLER COATES

                                         hen the
                                         Hollywood
                                         rumor
                                         mill began
                  W churning out
                 reports that Quentin Tarantino’s
                 ninth film would be set in Los
                 Angeles in 1969 — and center on
                 Sharon Tate and the Manson mur-
                 ders — the director’s fans (and
                 critics) naturally assumed that his
                 next movie would be gruesome
                 and irreverent, likely incorporat-
                 ing some revisionist history just
                 like his previous best-picture-
                 nominated films Django Unchained
                 and Inglourious Basterds. While it                                                                                                      VITAL STATS

                 certainly doesn’t skimp on those
                 familiar Tarantino qualities (par-                                                                                                         STUDIO Sony
                 ticularly in its third act), Sony’s                                                                                                   RELEASE DATE July 26
                 Once Upon a Time in Hollywood is
                                                                                                                                                       WORLDWIDE BOX OFFICE
                 much more emotional and sweeter
                                                                                                                                                             $372.7M
                 than any Tarantino film before it.                                                                                                  DIRECTOR Quentin Tarantino
                    Following Rick Dalton
                                                                                                                                                               CAST
                 (Leonardo DiCaprio) and Cliff             You’ve worked with Quentin                People have this vision of him
                                                                                                                                                   Leonardo DiCaprio, Brad Pitt,
                 Booth (Brad Pitt), a fading               Tarantino for years, all the way          as an auteur, [one who] wouldn’t                     Margot Robbie
                 Hollywood actor and his stunt             back to Pulp Fiction. What stands         allow anyone to give their input
                                                                                                                                                            TOP AWARDS
                 double turned driver, respec-             out about this particular film?           and suggestions. But when you
                                                                                                                                                          10 Oscar noms,
                 tively, Once Upon a Time serves           SHANNON MCINTOSH Every movie you          read his scripts, so much detail             10 BAFTA noms, 3 Globe wins,
                 as a love letter to a time of             make with Quentin is special. It’s        is on the page; everyone’s job
                                                                                                                                                        4 SAG Award noms
                 great change within the film               such a personal, wonderful experi-        becomes really clear on what they
                 industry and American culture.            ence for everyone, all the crew. But      want to do. He absolutely allows
                 With Manson girls — chief                 I think back to when I read [the          you to bring your talent and your         up in L.A., so to listen to the two
                 among them Pussycat, played by            script] with trepidation, wonder-         skills to the table. For example, we      of them talk about their stories
                 Margaret Qualley — dumpster-              ing where it was heading, knowing         thought we wanted to shoot it in          and growing up here … I mean,
                 diving off Hollywood Boulevard            a bit about the subject matter. You       70mm, but as Quentin and [cine-           there’s so much of Barbara that
                 and Sharon Tate (Margot Robbie)           always wonder until you get [to           matographer Robert Richardson]            he allowed her to bring to the
                 moving in next door to Dalton,            the end], even though you couldn’t        talked about the different                table. But [everyone is] still really
                 the film offers a colorful and nos-        imagine Quentin making that               processes and the looks, it didn’t        informed by the script.
                 talgic look at a long-lost era. But       other movie. The whole journey            seem the right way to go. For the
                 as producer Shannon McIntosh              has been magical. They’re all great       most part we shot 35, a little bit        It’s a very nostalgic movie. What                  HOLLYWOOD: ANDREW COOPER/SONY PICTURES ENTERTAINMENT (2).  MCINTOSH:  MICHAEL KOVAC/GETTY IMAGES FOR CHAMPAGNE COLLET.
                 explains to THR, Tarantino’s              journeys, but this one was some-          on 16 and even some on Super              do you think it has to say about

                 latest (which picked up 10 Oscar          thing really special because it’s         8. But that was Bob bringing to           Hollywood in 2020?
                 nominations) offers his own               such a personal story for Quentin.        Quentin what he really thought            1969 was a great year for change
                 hopeful vision of Hollywood — a                                                     would be best for this movie              in the industry, and for the world
                 stark contrast to the dark and            How is Tarantino as a collaborator        that would take place in 1969,            at large. And we’re kind of back
                 violent reality of the Manson             when it comes to actors on set,           but also jump back to the back-           to those things now. There’s the
                 murders, which changed the                the craftspeople and even someone         story of Rick Dalton. [Production         theatrical experience versus the
                 cultural climate forever.                 in your role?                             designer] Barbara Ling also grew          streaming experience. There are








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