Page 95 - (DK Eyewitness) Travel Guide - Provence & The Côte d'Azur
P. 95

THE  RIVIER A  AND   THE  ALPES  M ARITIMES   93

       sLa Turbie
       Road map F3. * 3,200. @ n 2 pl
       Detras (04 93 41 21 15). ( Thu.
       ∑ ville-la-turbie.fr
       High above Monte-Carlo is one
       of the finest views on the Riviera,
       reached by a stretch of the
       Grande Corniche that crosses
       ravines and tunnels through
       mountains. The village of La
       Turbie, scented with bougain-
       villea, has two medieval gate-
       ways. Its oldest houses, dating
       from the 11th–13th centuries,   View of Trophée d’Auguste from the village of La Turbie
       are on the Roman Via Julia.
                           honour Augustus’s victory in   destroyed on the orders of Louis
       E Musée du Trophée   13 BC over 44 fractious Ligurian   XIV, who feared it would fall into
       d’Auguste           tribes. The original trophy was   enemy hands during the invasion
       18 cours Albert 1er. Tel 04 93 41 20 84.   50-m (164-ft) tall and had niches   of Provence by Savoy in 1707.
       Open Tue–Sun. Closed 1 Jan,  with statues of each of   Restoration was first begun in
       1 May, 1 & 11 Nov, 25 Dec.   the campaign’s victors.   1905, and continued in 1923
       & 7 8 by appt. =         There were stairs   by an American, Edward Tuck.
       ∑ la-turbie.monuments-   leading to all parts   Today, the triumphal inscription
       nationaux.fr             of the structure.  of Roman victory has been
       The most spectacular       When the Romans   restored to its original position.
       feature of La Turbie     left, the trophy was   A small museum on the site
       is the Trophée           gradually dismantled.   documents the history of the
       d’Auguste, a huge         In the 4th century,   trophy, with fragments of the
       Roman monument,           St Honorat chipped   monument, pieces of sculpture,
       built out of white local   away at the monu-  inscriptions, drawings and a
       stone, which marked   Monument detail,   ment because it had   small-scale model.
       the division between   Trophée d’Auguste  become the object of   The spectacular panorama
       Italy and Gaul. Its      pagan worship. Later   from the terraces of the trophy
       construction was ordered in   it served both as a fort and as   takes in Cap Ferrat and Eze.
       6 BC by the Roman Senate to   a stone quarry. It was partly   Monaco, at 480 m (1,575 ft)
                                               below, seems breathtakingly
       Trophée d’Auguste                       close, like an urban stage set
       This triumphal monument had   6-m (20-ft) statue of   seen from a seat in the gods.
       a square podium, a circular   Emperor Augustus  Among visitors impressed
       colonnade and a stepped                 with La Turbie and its trophy,
       cone which was surmounted    The original   was the poet Dante (1265–
       by the statue of Augustus.   colonnade included   1321), and his comments are
                                    niches for the statues   inscribed on a plaque in rue
                                    of Augustus’s   Comte-de-Cessole. From the
       The inscription records      campaign generals.  end of this street there is a fine
       the names of the                        view of the monument.
       44 tribes subjugated
       by Augustus, with
       a dedication to the                     R Eglise St-Michel-Archange
       emperor.                                Open daily. 7
                                               The 18th-century Nice Baroque
                                               church was built with stones
                                               plundered from the trophy.
                                               Inside there is an altar of
                                               multi-coloured marble and a
                                               17th-century onyx and agate
                                                table, which was used for
                                                 communion. Its religious
                                                  paintings include two
                                                   works by the Niçois artist
                                                   Jean-Baptiste Van Loo,
                                                   a portrait of St Mark
                                                  attributed to Veronese, and
                                                a Piéta from the Bréa School.
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