Page 147 - Classic Rock - The Complete Story of Def Leppard 2019
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and now they’ve gone back to tried and
trusted.” But we were just listening to what
was going on, on the radio, we’re reading
stuff, we’re picking the vibes up that
everything seems to be going back to
melody again, melody is not unfashionable
any more. But it didn’t have any balls, any
power. We figured like, we’ve got both.
And we know how to do it.
So when we came to Euphoria we just let
ourselves go in any way we wanted, we Tripping the light fantastic:
didn’t restrict ourselves. With Slang we did, Def Leppard delivering the
we said we’re not gonna do the typical Def goods in late 2015.
Leppard things. But with Euphoria we didn’t
rule them out. If one came, we embraced it. more surprising. You seem It’s the perfect Def Leppard
Because it had been eight years since to have found a great “Adrenalize wasn’t song. A friend of mine who
Adrenalize. That’s a long time to have balance, especially on used to do backing vocals for
abandoned your main style of music. X, which was voted Classic as adventurous as David told me: “I sent David
So we embraced it. Rock’s album of the year in your version of the song and
2002, and Songs From The Hysteria. It was more he loves it!” I’m like: “Fuck
Euphoria also saw the return of Mutt, Sparkle Lounge in 2008, and of a rock album, off!” He said it was one of the
albeit only briefly. of course Def Leppard in best versions of one of his
We were really happy with what was going 2015, which was a seamless, less experimental.” songs he’d ever heard. I
on, and Mutt came back into the cycle. immersive experience – played [Leppard’s version of
I don’t know how or why. Just, Mutt wants pop, rock, you name it. Free’s] A Little Bit Of Love to Paul Rodgers
to come over. Okay, great. He wasn’t going Deliberately so. Because that’s just where when Queen played Dublin, and he was
to produce the record. He was just out of we were at. We’ve reached a point raving about it. I had a really great
the studio when we were in the studio. where we don’t actually have to make conversation with [Spiders From Mars
So he came over, and Phil had got this idea new albums any more. We do it bassist] Trevor Boulder. I said: “You
for a song that was along the lines of because we want to. Our remember when you were doing The Jean
a Photograph-type thing, which was Promises. management is like, look, if you Genie?” He said: “No. We did it in an hour
The way that song developed from the want to go and record and pay for it and a half. The only thing I remember
way that we were developing it to Mutt yourselves, then fine, knock about The Jean Genie was we were
coming in, it was like the old team back yourselves out. So we do, and we standing at the bottom of the stairs
together again. treat it as we always have, at Wessex studios and the Faces
going in just trying to make walked past us going up the stairs.
What was it like working with Mutt something the best we can. That’s it” [laughs].
again in the studio? Except there’s no pressure
Weird. It was a bit weird because he wasn’t from record company You’ve got a huge summer
working the same way. He wasn’t hands- people to finish it. No A&R tour with Journey later this
on. He was more observant. He’d say: people asking if we’ve year, followed by your
“Stop”, and make a suggestion. It was weird written any hits. We don’t biggest UK tour for years.
for Vivian [Campbell, Clark’s replacement], do what we’re told. We Looking forward to it?
because it was the first time Vivian had do what we feel. We’ll I love it. Our audience is
ever worked with him, so for him it was live and die by our own amazing, especially now. We
a learning curve. We also wrote another decisions. That is the get people coming saying
song where we did kind of start from ultimate satisfaction of they first saw us on the
scratch. We said let’s do something really being an artist. Pyromania tour, then got
off the wall. That ended up being the song pregnant or moved away or
All Night – all groovy noises and orgasmic Is that how Yeah! came something and had to stop, but
sounds. It’s fucking nuts. about? It was probably have now started coming back,
your least successful bringing their kids and their
And you’ve continued along that path, album commercially, but teenage kids with them. “I’ve now
with your most recent albums all what fun hearing you do seen you fifty-six times, and forty of
arriving as singular entities. Some things such as Bowie’s them have been this century.” Like,
instantly recognisable material, some Drive-in Saturday. wow, you know? Wild.
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