Page 53 - Classic Rock - The Complete Story of Def Leppard 2019
P. 53

RICHARD SAVAGE





            Hysteria. That’s the album we were          point where we’d lost Steve and we
            always trying to make; the songs we were    ended up making a record almost by

            always trying to write. By the time         numbers. We were in a daze [after Steve’s
            Hysteria was released we’d been together    death]. We were numb. It wasn’t coming
            pretty much 10 years, and it was 10 years   from the same place anymore, and partly
            of work to get to where we’d always         that was through tiredness, through shock
            wanted to be. And Mutt was the guy that     of losing Steve, and from confusion over

            could actually put it into practice.        what kind of album we should be
                                                        making. All this shit that you’re dealing
            It all came together for you on             with and it confuses you. I found we were
            Hysteria: not only your best album –        all sleepwalking when we made
            almost futuristically sonic in its musical   Adrenalize. It’s not my favourite album by

            scope – but your biggest seller. Twelve     a long shot.
            times platinum in the US; double              We tried to outdo Hysteria, which was
            platinum in the UK; mega everywhere         a mistake. I remember early on in the
            else. Do you look back on Hysteria as       songwriting process, we had this song

            the pinnacle of your recording career?      that was a spin-off from Hysteria that
            Yes. I still think it’s an incredible album.   ended up on the Adrenalize album, called
            It was almost genre-less. You know, the     Tonight. And I remember at the time, Mutt
            first Guns N’ Roses album also came out     saying: “Guys, you’ve got to produce this
            around the same time, and what              record with [regular Lange engineer]

            a fantastic album that was. But it was of   Mike Shipley,” god rest his soul, who
            an ilk. It was a brilliant album of a certain   was more than capable. He was
            style of music. But there are parts of      a major part of Hysteria anyway, and Mutt
            Hysteria which had just never been done     would be the first to admit that.

            before, just came out of left-field without   So it was obvious Mutt wasn’t going to
            being ridiculously weird. It was a stand-   be a hands-on producer like he had been
            alone album. There’s no question that in    on the previous three albums. He actually
            many ways it is our pinnacle. It was the    turned round to us and said, “You know
            album we envisaged making when the          what you should do. You should

            four of us – before even Steve Clark was    completely forget about doing
            in the band – first sat down and formed     a Hysteria-type album and make a Guns
            Def Leppard. That was the goal.             N’ Roses-type album.” And we just didn’t
                                                        know how to take that. Because that

            So was there no feeling that the correct    wouldn’t have been natural to us, in
            move then would be to make Hysteria II,     a sense. It’s so easy to get stuck in a rut
            again with Mutt, just to see how much       that has brought you success. Even if the
            further we can go this time? Rather         songs are different, there’s a formula to
            than what actually happened, which          the writing and recording process. And

            was to not work with Mutt?                  it’s so hard to get out of that because you
            After the release of Hysteria we toured     know it’s a tried-and-trusted formula.
            for a very long time. They were               All this shit was going on. Then we
            wonderful days, just great times. But it    made the album as a four-piece because
            did have a draining effect on the band.     Steve was no longer with us. It just

            Then we went in to start writing songs for   became… I don’t know. It came from the
            Adrenalize, and Mutt was… I don’t think     wrong source. The motivation, the
            he had lost the passion, I think he was     feelings were all mixed up because of the
            getting tired of working with bands per     circumstances surrounding it. So while
            se, and having to cater for every           the  album was a commercial success it’s

            individual member of the band and treat     not an album that I look back fondly on.
            them equally. Cos that was one of Mutt’s    It doesn’t really cut it for me.
            great strengths. Nothing was more
            important than when it was being            Also, you released Adrenalize in

            recorded and it was getting his full        the middle of the grunge
            attention. And I think Mutt was getting a   maelstrom, spearheaded by
            little tired of the work that he was putting   Nirvana. That had an
            in to do the records. He was getting a little   enormous blowback effect
            jaded, if that’s a fair word. We got to the   on you, didn’t it?


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