Page 42 - Art Almanac (February 2020)
P. 42

Anne Wallace                                      Tracey Moffatt

                                                           & Hayley Millar-Baker
         Strange Ways

                                                           The Truth of What Occurred
         QUT Art Museum
         Until 23 February, 2020                           Remains
         Queensland
                                                           Broken Hill Regional Art Gallery
                                                           Until 23 February, 2020
                                                           New South Wales

         Anne Wallace’s major survey exhibition is         ‘The Truth of What Occurred Remains’
         curated by Vanessa Van Ooyen, and includes        brings together two major bodies of work
         more than 80 pieces which may entice us with      that reflect on the transgenerational trauma
         a familiar narrative but as the gallery says,     of colonisation experienced by Indigenous
         ‘Like any good ‘story’, there is sexual and       people. Tracey Moffatt’s Up in the Sky (1997)
         social confusion, vulnerability and violence,     touches on race, violence and poverty; the
         alienation and loneliness, feelings of the        deleterious ramifications of the Stolen
         abject, or fantasies of power and revenge.        Generation whose wounds never healed.
         Wallace’s paintings have an uncanny ability       Hayley Millar-Baker’s A Series of Unwarranted
         to tap into a shared psyche, drawing upon the     Events (2018) depicts the violent truths behind
         language of pop culture.’                         the European occupation of southwestern
                                                           Victoria, land of the Gunditjmara people. By
                                                           layering, cutting and repositioning imagery
                                                           complexities of Aboriginality are revealed.







































         Entrance Uncovered, 2001, oil on canvas, 130 x 160cm  Hayley Millar-Baker, Untitled (The best means, of caring for, and
         Private collection, Brisbane                      dealing with them, in the future), 2018, inkjet on cotton rag, 80 x
         Courtesy the artist and QUT Art Museum, Queensland  100cm
                                                           Courtesy the artist and Broken Hill Regional Art Gallery, New
                                                           South Wales



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