Page 61 - (DK Eyewitness) Travel Guide - Budapest
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BUD APEST  A T  A  GLANCE      59


       Gresham Palace and the Gellért          Building, with its distinctive
       Hotel and Baths Complex,                geometrical ornamentation,
       built in the Art Nouveau                on Szervita tér. Also among
       style, are among the many               his buildings is the extra-
       buildings in the city that are          ordinary former Jewish Old
       embellished by ornamental               People’s Home, at Nos. 53–5
       wrought-iron gates, gratings            Amerikai út. With sophisticated
       and banisters that incorporate          ornamental details based on
       Secession motifs.                       folk designs, Városliget
                                               Calvinist Church was the
                                               creation of Aladár Árkay.
       Interior Decoration
                                                 Károly Kós was a highly
       Among the interiors of the era,         original member of this set.
       those of the New York Palace            Fascinated by the traditional
       are a real jewel. Decked out in         architecture of Transylvania,
       the best materials, including           he trawled the whole of that
       bronze and marble, they retain          region, making drawings of the
       the splendour of their original,        village churches and manor
       Neo-Baroque form.                       houses he encountered. Motifs
         Also worth visiting are the           from these buildings were later
       Hungarian National Bank and   Window created by Miksa Róth, at the   transferred to the aviary at
       the Post Office Savings Bank,   Hungarian National Bank  Budapest’s Zoo and the
       with their furnished secure             houses of the Wekerle Estate.
       rooms and ornate door and   Exhibitions of attractive Secession
       window frames. The interior of   furniture are a fea ture of both
       Philanthia Florist’s, is another   the Museum of Applied Arts
       wonderfully preserved example   and also the Nagytétényi Palace.
       of decor from the Secession.
                           Architecture
                                               Frieze on the Rózsavölgyi Building
                           Hungarian architecture of the
                           fin de siècle is charac terized    Where to Find
                           not only by decorative forms
                           using glazed ceramics, but,   Secession Budapest
                           more fundamentally, by the   Gellért Hotel and Baths
                           implementation of modern   Complex pp94–5
                           technical solutions. Reinforced   Gresham Palace p118
                           concrete, steel and glass were   Hungarian National Bank, Liberty
                           used together, and large,    Square p114
                           light-filled interiors were often   Hungarian National Gallery
                           achieved. The central hall of    pp78–81
                           the Museum of Applied Arts    Institute of Geology p158
                           is a fine example of this.  Liszt Academy of Music p133
                             Aside from Ödön Lechner,   Museum of Applied Arts pp140–41
                           the most important of the   Nagytétényi Palace p165
                           Hungarian Secession archi tects,   New York Palace p133
                           others who contributed   Philanthia Florist’s p57
                           significant buildings in the   Post Office Savings Bank p115
                           prevailing style included Béla   Turkish Bank p132
                           Lajta, Aladár Árkay, Károly Kós   Városliget Calvinist Church p148
                           and István Medgyaszay. Béla   Wekerle Estate p161
       A Secession cabinet, displayed in the   Lajta, a pupil of Lechner,   Zoo p154
       Museum of Applied Arts  designed the Rózsavölgyi

       Decorative Motifs        Sunflower motif adorning the
       Stylized folk motifs derived from   Post Office Savings Bank
       embroidery and also oriental
       patterns were often employed
       in Budapest’s decorative arts
       during this period. Secession
       motifs such as feline forms,
       based on Viennese and Parisian   Secession lettering on the sign of   Colourful mosaic at No. 3
       examples, also feature.  Philanthia Florist’s      Aulich utca




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