Page 57 - The Strad (February 2020)
P. 57
MICHEL COLLICHON
from the block and transfer it to where it was needed to
complete the full depth of heel and block ( gure 3).
e viols of 1683 and 1691 both show another intriguing
aspect of Collichon’s construction. On all of his viols he
always uses linen and/or parchment strips as reinforcement
on the corner joints, back joint and back/rib joints. In some
cases the reinforcing strip between back and ribs continues
underneath the top-block, as can be seen on the 1693 bass
( gure 4). is means that the integral neck/top-block was
tted after assembly of the rib/back structure. is dramatically
increases the complexity of his method of assembly. ere is
evidence that the rib/top-block joint was, in some cases, not
ideal and it was necessary that it be ‘packed out’ with thin
wedges of wood to correct the curve in the rib. is is
particularly visible on the 1693 bass shown in gure 4, where
the added wooden wedges on the remaining portion of the FIGURE 3 Diagram showing how an extra piece of wood
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CARVED HEADS
While original English viols came with carved heads and scrolls
in equal measure, in France the carved head was the norm. e
majority of carved viol heads (and indeed some violin scrolls)
on instruments by Parisian makers during the late 17th century
and into the 18th were carved by an individual called Lalle.
ese heads are very recognisable and can be seen on cellos,
pardessus, hurdy-gurdies, violas d’amore and so on. Many are
characterised by the heads bearing a ‘ru’ with faces following
a similar pattern: rounded features with a dimpled chin and
rather small pouted lips; thinly closed eyes and arched
eyebrows. But Collichon’s carved heads show an entirely
dierent style, suggesting he employed an alternative carver
or may even have carved them himself. e heads on the 1691
and 1693 viols show many similarities. Both are ‘pirate-like’
with acanthus decoration and the rather odd pointed ears on
the 1693 are again testament to the peculiarity of Collichon’s
work, whereas the 1683 ‘cherub’ is distinctly dierent in style FIGURE 4 ,' ;36f#£3$0 3( ;,' ¤ #!99 =-3£ 9,3>9
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FEBRUARY 2020 THE STRAD 55
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