Page 21 - Rolling Stone - India (December 2019)
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consumption of a song Apart from doing in 2016. “What drives me Joshua Singh’s music, and either something that
based on emotions and indie work, De has also isn’t so much the financial which I personally thought you’ve worked on comes
lyrics, which has led to dabbled in commercial gain that comes out of it, was incredible because it up in conversation where
shaping the music well. He stuff for ads and T.V. for but the work itself,” he was one of those records they don’t know you have
cites a few examples saying, shows such as The Voice says. Currently, De is also that just had perfect had anything to do with
“‘The Weapon’ by Lightyears as well as international working on a few Netflix performance.” it, it’s amazing. Because
that happened a few years work as a ghost producer shows in the capacity of Ask De what’s the most then you know that project
ago, I think that was done and mixing engineer. The a sound designer, Dolby satisfying part of his job did well for that artist.”
in a few hours. We tracked sound engineer also had Atmos projects, music and he says, “When you’ve De’s message to young
it and we got done. The the opportunity to work education and focusing worked on something years songwriters, producers,
BLEK song ‘Fog + Strobe’ front of house for playback on mastering tracks and years and years ago, mixing and mastering
similar case there. For singer Arijit Singh’s U.K. more. He says, “I just got and you go out somewhere engineers is simple, he says,
Saachi, she wanted to do tour which included a set at done working on some of and you’re having dinner, or “Don’t complicate things.” PARIZAD D
like a 24-hour long song.” London’s Wembley Stadium (multi-instrumentalist) you’re chilling with a friend DAVID BRITTO
December 2019 | Rolling Stone | 21

