Page 42 - Rolling Stone - India (December 2019)
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much as each of the tracks brings out the
             individuality of artists, there is a consistency                                                           Clinton Cerejo
             in terms of the production quality. It has
             been a lengthy and painstaking process
             which has required a lot of investment by
             way of time, effort and money, but the output
             has been so promising that it has wowed
             us all.”
               Cerejo concurs: “Bianca Gomes, my co-
             songwriter, and I have already been writing
             songs and collaborating with the potential
             lab winners. They have been writing lyrics to
             these melodies and the results we’re seeing
             are mind-bending. I mean, these tracks are
             truly something the country can be proud of.
             This is just the beginning of something big.”

                          

               A few days after the cover shoot, we have
             an appointment to meet A.R. Rahman
             at his Mumbai studio for a one-on-one
             conversation. It’s around 10 p.m. on a
             Thursday at the end of an ordinary work
             day. There is no hustle and bustle of a shoot
             but somehow it is a lot more nerve-wracking.
             We arrive a few minutes before time and get
             a chance to take in all the positive energy
             thrumming within the intimate studio’s
             neon-lit thresholds. It’s comfortable, bright
             and a tiny reflection of who Rahman is at
             his core. While we’re waiting, I continue
             my interview prep, a part which includes (a
             15th) look over the list of awards he’s won—
             two Grammys, two Oscars, six National
             Film Awards, a BAFTA, a Golden Globe, 15
             Filmfare Awards and 17 Filmfare Awards
             South. Not to mention the Padma Bhushan
             conferred on him in 2010. My brain is
             melting, trying to comprehend the series of
             events in my life that led to this interview,
             when the door opens and the he enters.
             Almost immediately, I feel the ‘Rahman                                                                                   COURTESY OF THE ARTIST
             effect’ kick in.
               The composer is barefoot, and clad in dark
             blue jeans and a casual shirt. He greets us
             with a cheerful smile and leads us into one
             of the recording studios. The man exudes
             great energy despite being at the end of a
             pretty crazy week—in a space of five days,
             he’d somehow managed to pack in a concert   When I listened to some of the artists that made
             in Dubai, a trip to Tokyo, various other secret
             assignments and this interview. In between   the cut I was blown away by the talent we have in
             it  all,  he’s  tapping  away  on his  phone,   our own backyard. The 24 Nexa Lab artists have
             sending emails and approvals on his recent
             single “Ahimsa” with Irish rock legends U2   blurred genre lines to define what English music
             (which is to release the next morning) but
             stays engaged in our conversation, laughing                       in India sounds like right now.
             politely at all my nervous bad jokes. The
             Chennai-based music luminary seems to                                                       - Clinton Cerejo
             prefer doing the listening at first but as


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