Page 58 - Guitar Classics Magazine - The Les Paul Bible 2019
P. 58

THE UK’S FIRST LES PAUL



















































               “IT’S A TOTAL MONSTER, BECAUSE

                     IT HAS SUCH A BIG AND WIDE
               SOUND. IT’S SO CLEAR AND WHEN

                YOU’RE GOING FROM CHORDS TO                             for grounding. The Gibson guys hadn’t seen another
                                                                        one and I even have the original box it came in.”
                  LEAD, EVERY NOTE IS SO CLEAN”
                                                                        SOME KIND OF MONSTER
                                                                        Since Cosmo has owned several Bursts, we ask how
                                                                        the Tommy Burst compares. “It’s a total monster,” he
        ABOVE Aside from a refret   called Gibson and the serial number is 9-2222. You   explains, “because it has such a big and wide sound.
        and the removal of a Bigsby to   couldn’t make this up.’ I signed the contract – they   It’s so clear and when you’re going from chords to
        reinstate its original stoptail,   decided to call the ‘Gibson Burst’, but that series was   lead, every note is so clean and you don’t have to
        Cosmo has left the Tommy
                             discontinued before it went into production.”  adjust. If you throw in a break, it just comes out.
        Burst unmodded
                               Of all the Bursts we’ve encountered, none has   “You don’t get that from reissues in the same way,
                             played better than Cosmo’s. Even so, it’s clearly a   or even 60s guitars. You don’t even get that from all
        OPPOSITE TOP One of the
        PCAP-059 ‘bumblebee’    guitar that has seen a lot of use. “It has been played to   the Bursts. But I don’t use pedals, so when I make a
        tone capacitors in situ  death,” Cosmo agrees, “but the only thing I’ve done   mistake, there’s no hiding. That’s the downside.
                             is remove the Bigsby and put its original stoptail and   “Front pickups vary quite a lot as well,” Cosmo tells
        OPPOSITE BOTTOM The   studs back on and had it re-fretted. The pickups and   us. “Some are so overpowering, and others balance
        Tommy Burst wears its history
                             pots have never had a solder break and the pickup   quite nicely. When they’re really good, they have that
        on its sleeve – or in this   covers have never been off. It has a double white   woody mellowness and harmonics, with the clarity. ”
        instance, on its scratchplate,
        where its jazz-playing   at the neck and zebra at the bridge. The Gibson   The debate about what makes Bursts special is
        custodian’s ingers gradually   guys loved the fingernail wear on the pickguard and   never-ending, but we welcome the opportunity
        warped the plastic over   neck-pickup surround. Tommy fitted a rare Bigsby   to compare notes with someone whose opinions
        time. Hear Barrie Cadogan   around 1961 that Selmer made while under licence   are based on decades of experience of gigging and
        putting the guitar through   in the UK to distribute them. They look much like a   recording with the real thing. “The pickups do make a
        its paces at youtube.com/  standard B7, but are a few centimetres shorter, so the   difference, but if you were to put these PAFs in a new
        theguitarmagazine
                             fixing screw could touch against the stud insert post   guitar and any repro pickups you like in my guitar,

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