Page 86 - Guitar Classics Magazine - The Les Paul Bible 2019
P. 86

SLASH


















































        ABOVE Slash has been   When it came to finally getting his hands on    “And so when I actually started playing guitar
        road-testing Gibson’s latest   a guitar, Slash’s first experience was with the    I’d have to go, ‘Okay, well I like this song, or this
        Les Pauls with both The   “one-string wonder” – an old Spanish guitar with    solo, and there’s a picture of the guy in the band,
        Conspirators and GN’R
                             a single string that his grandmother gave him.    and he’s playing that guitar…’ and I remember
                             “That was my first discovery of being able to   seeing the Les Paul often enough to notice it was
                             put fingers in different places and come up with   cool. I don’t think I was ever attracted to the Strat…
                             something that you actually recognised,” he recalls.   and the Flying V was a little bit too flashy for me.”
                               The most significant moment, however, was   Once he’d got one in his hands, however, that
                             when he got himself an electric guitar with a full   affection deepened and Slash discovered that the
                             complement of strings. “When I got a real guitar,   guitar was everything he needed it to be.
                             I started working out chords with those top three   “I just feel comfortable with it,” he shrugs. “I
                             strings,” he recalls. “I think the most memorable   like the deepness of the tone of a Les Paul. The
                             moment was when I was able to do a real blues thing   humbuckers have a lot to do with that. But then
                             – that was all, but it was an overwhelming parting of   there’s also the heaviness of it – I think that lends
                             the sky!”                                  itself to the richness of the sound. But then I’ve never
                                                                        really known that for sure, because some very heavy
                             PAUL BEARER                                Les Pauls sound very, very thin. It’s just a warm guitar,
                             It’s entirely appropriate that the aforementioned   and it’s great for single-note stuff, which I do a lot of.
                             epiphany happened on a Les Paul-shaped instrument,   If you get a good Les Paul and the right Marshall and
                             as in the decades since that experience, Saul Hudson   just dial it in right, for me, that’s just always been the
                             has become arguably the most iconic Les Paul    ultimate rock ’n’ roll sound.”
                             player of all. Indeed, his affection for Gibson’s    The ultimate rock ’n’ roll sound it may be, but
                             iconic single-cut was so inherent in Slash, he can’t   when it comes to writing, Slash prefers to stick to
                             even recall the moment he first encountered one,    one half of the equation – for reasons that are
                             it’s just always been the guitar for him.  scarcely believable from one of the most admired
                               “I don’t remember when I actually first laid eyes   guitarists of all time.
                             on a Les Paul,” he admits. “I just remember almost   “My go-to guitar writing is just a non-amplified Les
                             subconsciously thinking, ‘That’s a cool-looking guitar’.   Paul, because I don’t like anyone to hear what I’m
                             Because when I started, I didn’t know anything!    working on – I’m very self-conscious that way!” he
                             With all that musical upbringing, and all those gigs   explains. “The electric guitar played acoustic is great
                             I went to with my parents, I didn’t really know   if you don’t want people to pay attention to what
                             anything about how a guitar worked!        you’re working on. I haven’t really grown out of that.

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