Page 60 - Hi-Fi World (January 2020)
P. 60

REVIEW




                                                                                        The prominent violin of Marianne
                                                                                        Thorsen playing Mozart’s Violin
                                                                                        Concerto in G Major, backed by
                                                                                        the Trondheim Soloists (2L Noway,
                                                                                        24/96) was both vivacious and
                                                                                        deeply detailed, yet free from that
                                                                                        rasp digital adds. There was strong
                                                                                        separation of instruments in the
                                                                                        backing Trondheim Soloists, and
                                                                                        from her lead violin. The delicacy of
                                                                                        her playing was conveyed strongly,
                                                                                        especially in solos, making for a
                                                                                        sound that drew me in.
                                                                                           With Marta Gomez singing Maria
                                At top a 3.5mm headphone socket (right) and a smaller 2.5mm   (24/96) her vocals sounded close and
                                socket that provides balanced output. The circular control is a   detailed, surrounded by a sense of
                                power button only.                                      cosseting smoothness. No hardness
                                                                                        here either, with accordion and
                                  Music file formats are Wav, Flac,   is more than it looks.  blocks nicely defined. With Fleetwood
                               WMA, MP3, AIFF, ALAC, Ape and Ogg,      However, whilst the balanced   Mac’s classic rock Go Your Own
                               plus DSD of dff, dsf and Iso headers.   output socket gives massive volume   Way (24/96), replete with sizzling
                               DSD64 and 128 are supported. A   and extraordinary dynamic range,   70s pace set by Mick Fleetwood’s
                               five band equaliser is fitted, plus no   I find 2.5mm jack plugs virtually   frantic drumming, the D2 fairly flew
                               end of special effects. Buried in the   unusable – they snap. Suitable for   along. Interestingly, where I hear rasp
                               Music settings menu are fast and   driving a hi-fi system perhaps where   from this track in cymbal crashes via
                               slow digital filters but they have only   the plug will not be stressed – if you   Chord Electronic’s revealing Hugo
                               subtle sonic effect, especially with hi-  can find a 2.5mm 4-pole plug to XLR   TT2, the Plenue D2 seemed able to
                               res.                         male plug adaptor lead and your hi-fi   gloss over the issue. All was smooth




















                                                            A micro-SD slot on the left side of the player accepts up to
                                                            128GB of extra memory storage.

                                                            has XLR balanced inputs. Not suitable
                              A host of sound effects are   for the rough and tumble of portable
                              provided, Normal being the    use, where the stronger 3.5mm
                              straight-through option.      plug is needed. These comments
                                                            apply to all players with 2.5mm
                                                            balanced 4-pole jacks of course, not
                                  Portable player manufacturers   just to the D2. All the same, the
                               make much of their technologies,   D2’s 3.5mm unbalanced headphone
                               a trend set by Astell&Kern, also of   output still gave superb results under
                               Korea like Cowon. This has spawned   measurement.
                               an arms race between companies in
                               Korea and China, one that Cowon   SOUND QUALITY
                               seem determined to win with the   My overwhelming impression of this
                               D2. They equip it with a CS43131   player from the 3.5mm jack was
                               dual DAC chip from Cirrus Logic,   a sense of silky smoothness that
                               that has built in headphone amplifiers   took the digital out of digital. But
                               – hence the optimised figures. Our   that’s how modern DAC chips are
                               measurements confirmed Cowon’s   evolving sound quality wise – and
                               claims (see Measured performance).   the new (Oct 17) CS43131 DAC
                               They’re right up with the best hi-fi   chip designed for portable use is an   The main play screen with trans-
                               DACs. Under the skin, this tiny player   impressive newcomer to the field.   port controls and cover artwork.
                 60        HI-FI WORLD JANUARY 2020   www.hi-fiworld.co.uk
   55   56   57   58   59   60   61   62   63   64   65