Page 37 - homestyle New Zealand (February - March 2020)
P. 37

Artist profile ——  PEOPLE














                                                                                            “I spent a long time

                                                                                            in the supermarket,

                                                                                            looking at so many


                   Devyn Ormsby has been drawn to art                                       bananas, pears, lemons
                   all her life. Four years after graduating
                   from Auckland’s Elam School of Fine                                      and mandarins.”
                   Arts, she says she feels very fortunate
                   to be able to work in a creative field —
                   but she’s so talented we think she had
                   it coming.


                   So, Devyn, what led to your exploration
                   of glass as a medium? I’ve been working
                   with glass for two years now. I made my
                   first glass mandarin in December 2018
                   and gave it to my boyfriend’s mum for
                   Christmas. After that, I began working
                   on the rest of the fruit, which I launched
                   in June last year.
                     I learned the casting process through
                   my job at Lukeke Design. We primarily
                   make glass birds that are sold in galleries
                   locally and internationally. Everyone
                   who works there has their own glass
                   projects on the side, which encouraged
                   me to experiment with my own.


                   We love the concept of fruit as art
                   object — how did this come about? Fruit
                   holds a large significance in art history,
                   which is where I think the appeal comes
                   from. I’d thought for a while about
                   what I wanted to make and kept seeing
                   vintage glass fruit in op shops. Brightly
                   coloured with exaggerated forms, it was
                   charming in its own outdated kind of
                   way; I wondered where it came from,
                   what its purpose was and who used to
                   own it. Eventually I set about making
                   a cast-glass version true to the form
                   of actual fruit.


                   We hear it’s gained international
                   interest… Yes, which is still so
                   surprising to me! I had my Instagram
                   ‘idols’ get in touch with me, which
                   I was starstruck by and has already
                   made the whole venture worthwhile.


                   What’s your process for making each
                   piece? After spending a long time in the
                   supermarket thinking about what fruit
                   would work well, looking at so many
                   bananas, pears, lemons and mandarins,
                   I cast the fruit in silicone rubber and         PERSONAL INTEREST Devyn says she’s inspired by “spontaneity, being open to mistakes or failures, not taking
                                                                   things too seriously, reading, travelling, architecture, photography, trying new food, going for walks, having
                   made plaster moulds around that. When           a balance of art practice and life. I’m also really interested in how things are made — the production side of
                   these silicone plaster moulds are set, >        making. I like the process more than the outcome.”


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