Page 162 - (DK Eyewitness) Travel Guide 2017 - Boston
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160      TR A VELERS ’  NEEDS

       The Arts in Boston                      restoration to their original
                                               grandeur, and visitors today
       Performing arts are vital to Boston’s cultural life. Since the   are bound to be impressed
       1880s, the social season has revolved around openings    as they catch a glimpse of
       of the Boston Symphony Orchestra and many Brahmins    these theaters’ past glory.
       (see p47) occupy their grandparents’ seats at performances.   The main commercially
                                               run theaters of Boston –
       In the past, theaters in Boston were heavily censored    the Colonial, Wilbur, and
       (see p89), but today’s Bostonians are avid theatergoers,   Shubert theaters, the Boston
       patronizing commercial venues for plays bound to,    Opera House and the Wang
       or coming from, Broadway and attending ambitious   Theatre (see pp85–9) – often
       contemporary drama at repertory theaters. Many non­  program Broadway produc tions
                                               that have aleady premiered in
       commercial theater and dance companies perform    New York and are touring the
       in smaller venues in local neigh borhoods and at the   United States. They also present
       colleges. Although some theaters are closed on Mondays,   Broadway “try outs” and local
       there is rarely a night in Boston without performing arts.  productions.
                                                 In stark contrast to some of
                                               the mainstream shows on offer
       Classical Music     Classical works using the   in Boston, the most avant-
       and Opera           period instruments for which   garde contemporary theater
       Two cherished Boston   the composers wrote. H & H   in the city is per formed at the
       institutions, the Boston   gives regular performances    American Repertory Theater
       Symphony Orchestra and   in Boston at Symphony Hall,   (ART), an independent, non-
       its popular-music equivalent,   Jordan Hall, and other venues.  com mercial company asso-
       the Boston Pops, have a long     Classical music is ubiqui tous    ciated with Harvard University
       history of being led by some    in Boston. Emmanuel Music,   (see pp114–15). ART often
       of America’s finest conduc tors.   for example, performs sacred   prem ieres new plays, partic-
       The BSO performs a full    music, including Bach, at   ularly on its second stage,
       schedule of concerts at    regular services at Emmanuel   but is best known for its
       Symphony Hall from October   Church on Newbury Street.    often radical interpretations
       through April. The Boston    The Isabella Stewart Gardner   of traditional and modern
       Pops takes over for May and   Museum (see p105) hosts   classics. By further contrast,
       June, performing at the   a series of chamber music   the independent Huntington
       Charles River Esplanade (see   concerts, continuing a   Theatre is widely praised for
       p94) for Fourth of July festiv-  19th-century tradition of   its traditional direction and
       ities that are the high light of   professional “music room”   interpretation. For example,
       the summer season.  chamber concerts in the   the Huntington was the
         The students and faculty   homes of the social elite.  co-developer of Pulitzer-
       of the New England     The Celebrity Series brings   Prize winning plays detailing
       Conservatory of Music   world-famous orchestras,   20th-century African American
       present more than 450 free   soloists, and dance companies   life, by the late August Wilson,
       classical and jazz performances   to Boston, often to perform at   an important chronicler of
       each year, many in Jordan    Jordan Hall, as well as several   American race relations.
       Hall (see p159). Boston Lyric   other venues. Some 40 to 50     Several of the smaller
       Opera has as sumed the task    events are organized.  companies, including Lyric
       of reestablish ing opera in             Stage, devote their energies
       Boston, through small-cast    Theater   to showcasing local actors and
       and light opera at venues               directors and often premiere
       around the city.    Though much diminished    the work of Boston-area
         Boston’s oldest musical   from its heyday in the   playwrights. Many of the
       organization is the Handel   1920s, when more than 40   most adventur ous companies
       & Haydn Society, founded   theaters were in operation   perform on one of the four
       in 1815. As the first American   throughout Boston, the city’s   stages at the Boston Center
       producer of such landmark   Theater District (see pp80–  for the Arts.
       works as Handel’s Messiah   89) today still contains a
       (performed annually since   collection of some of the most
       1818), Bach’s B-Minor Mass and   architecturally eminent, and   Dance
       St. Matthew Passion, and Verdi’s   still commercially productive,   The city’s largest and most
       Requiem, H & H is one of the   early theaters in the United   popular resident dance
       country’s musical treasures.   States. Furthermore, during the   company, the Boston Ballet
       Since 1986, the society has   1990s, many of the theaters   performs an ambitious season
       focused on performing and   that are currently in use   of classics and new chore-
       recording Baroque and   underwent programs of   ography between October




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