Page 119 - (DK Eyewitness) Travel Guide - Italy
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VENICE      117


                                               Napoleon stole some of the
                           Mosaics
                                               precious stones in 1797, but the
                           Clothing the domes, walls and   screen still gleams with pearls,
                           floor of the Basilica are over    rubies, sapphires and amethysts.
                                  4,000 sq m
                                  (43,000 sq ft) of   Museo Marciano
                                  gleaming golden
                                  mosaics. The   Steps from the atrium,
                                  earliest, dating from   signposted “Loggia dei Cavalli”,
                                  the 12th century,   take you up to the church
                                  were the work of   museum, where the gallery
                                  mosaicists from the   offers a splendid view into
                                  East. Their delicate   the Basilica. The gilded bronze
                                  techniques were   horses, housed in a room at
                                  soon adopted by   the far end of the museum,
                                  Venetian craftsmen,   were stolen from the top of
                  . Pala d’Oro    who gradually took   the Hippodrome (ancient
                 The altarpiece,  over the Basilica’s decoration,   racecourse) in Constantinople
                  created in the   combining Byzantine inspiration   (modern Istanbul) in 1204, but
                  10th century   with Western influences. During   their origin, either Roman or
                   by medieval  the 16th century, many sketches   Hellenistic, remains a mystery.
               goldsmiths, is made   by Tintoretto, Titian, Veronese   Also on show are mosaics,
                up of 250 panels    and other leading artists were   medieval manuscripts and
                   like this one.  reproduced in mosaic.  antique tapestries.
                             Among the most dazzling
                           mosaics – many of which have   Baptistry and Chapels
                           been heavily restored – are
                           those in the 13th-century    The baptistry (closed to the
                           central Ascension Dome and    public) was added by Doge
                           the 12th-century Pentecost   Andrea Dandolo (1343–54),
                           Dome over the nave.  who is buried here, with
                                               Sansovino, who designed the
                                               font. The adjoining Cappella
                           Pala d’Oro
                                               Zen (also closed to the public)
                           Beyond the Cappella di San   became a funeral chapel for
                           Clemente lies the entrance to   Cardinal Zen in 1504 in return
                           the most valuable treasure of   for a bequest to the State.
      KEY                  San Marco: the Pala d’Oro.    The left transept of the
                           This jewel-spangled altarpiece,   Cappella dei Mascoli is
      1 The columns of the inner façade   situated behind the high    decorated with scenes from
      are thought to be fragments of the   altar, consists of 250 enamel   the life of Mary, while the third
      first Basilica.
                           paintings on gold foil, enclosed   chapel in the same transept
      2 South side aisle   within a gilded silver Gothic   houses the icon of the
      3 Baptistry          frame. Originally commissioned   Madonna of Nicopeia. Looted
      4 Cappella Zen       in Byzantium in AD 976,    in 1204, it was once carried
                           the altarpiece was further   into battle at the head of the
      5 Steps to Museo Marciano  embellished over the centuries.   Byzantine army.
      6 Atrium
      7 North side aisle
      8 The Porta dei Fiori, or Gate
      of Flowers, is decorated with
      13th-century reliefs.
      9 Cappella dei Mascoli
      0 The sacristy door has fine
      bronze panels by Sansovino which
      include portraits of himself with
      Titian and Aretino.
      q The Altar of the Sacrament
      is decorated with mosaics of the
      parables and miracles of Christ
      dating from the late 12th or early
      13th century.
                           Noah and the Flood, atrium mosaic from the 13th century




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