Page 20 - Classic Rock (February 2020)
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THE STORIES BEHIND THE SONGS






              Argent




              God Gave Rock And Roll To You


              Now a rock anthem, it was written under the storm cloud of

              cancer, and enjoyed a superstar second wind. “I don’t care that
              most people think it’s a Kiss song,” says its writer, Russ Ballard.




              Words: Henry Yates          t was early 1973, and as Russ Ballard   But he had misgivings about it:
                                          sat down at the piano in his parents’   “Rod thought the song should be
                                          Hertfordshire home, the Argent        slower,” he says. “The recorded
                                    Iguitarist felt the stirring of an          version dragged, to me.
                                    emotion he thought he’d lost. “I felt          “The song didn’t do a lot for my
                                    blissful when I started writing God Gave    career,” he adds, “because I decided
                                    Rock And Roll To You,” he reflects, “and that   to leave Argent around then – I was
                                    was the opposite of how I’d felt the year   gone by 1974. We were getting very
                                    before. My parents had both been really ill;   jazzy, when I was more about
                                    my dad had prostate cancer, my mum had      rock’n’roll.”
                                    bowel cancer, at the same time. I’d felt so    For almost two decades, God
                                    low. During that period, I remember         Gave Rock And Roll To You lived
                                    writing I Don’t Believe In Miracles, and at the   a quiet existence as a semi-
                                    end of the song I just put my head down     successful rock anthem,
                                    on the piano keys and cried.”               periodically exhumed by the cover
                                       Work had been Ballard’s lifeline through   versions of Christian rockers Petra,
                                    those hard times, with the songwriter       and Dennis Greaves’s The Truth.
                                    typically getting home from Argent gigs at   Then in the early 90s, Ballard was
                                    three in the morning, then rising at dawn   sitting in the lobby of a US record
                                    to wrench out his feelings in song. His     label, when former Blondie bassist
                                    band – led by and named after former        Nigel Harrison stopped and told
                                    Zombies keyboard player Rod Argent –        him about an upcoming movie
                                    was riding high, and Ballard was already    called Bill & Ted’s Bogus Journey, the
                                    “making good money”, with 1972’s hit        sequel to a hit comedy about two
                                    single Hold Your Head Up reaching No.5 in   rock-obsessed slackers, played by
                                    the US and UK. But it was God Gave Rock     Keanu Reeves and Alex Winter.
                                    And Roll To You that represented the end    “Nigel told me he was collating the
               OVER THE
               RAINBOW              of his own dark night of the soul.          soundtrack, and he’d suggested
               Russ Ballard’s soon-    “It was wonderful to feel myself come    God Gave Rock And Roll To You for
               to-be-released tenth   out of that depression,” Ballard recalls.   the final scene. They tried out a few
               solo album, It’s Good   “I felt so ‘up’. It probably only took twenty   bands, then came back and said:
               To Be Here, revisits
               another of his classic   minutes to write it. I’d always liked gospel.   ‘Kiss are going to do it.’”   Argent in the mid-70s: (l-r)
               compositions, with   With the lyric, I was saying that we live on   By this time Ballard had already   Bob Henrit, Jim Rodford,
               a wistful, piano-led   this incredible planet, and when you find   made the acquaintance of Gene       Russ Ballard and Rod Argent.
               take on Since You’ve
               Been Gone.           a passion, this world makes sense.          Simmons and co.
                 “I loved the Rainbow   Whereas, if you settle for a job to pay the   “One night in about 1973, we were     tease’, listeners were urged to ‘put your faith
               version – Graham     bills, it’s very sad.                       playing in New York with Wishbone Ash       in a loud guitar’.
               Bonnet has always
               had the most amazing    “The song was written on this heavy      and Kiss,” he remembers. “They weren’t         Ballard approved. “That new lyric was
               voice,” he says. “But   Eavestaff upright piano I’d been given for   known at the time. At the sound-check,   more universal, perfect for what Kiss
               I sat at the piano and   my twenty-first birthday,” he continues.   they weren’t in any slap. That evening,   were doing,” he says. “Funnily enough,
               started to play, and left
               out the second chord in   “That might seem strange for a rock song   when they came on, I was in the wings,   when I wrote the song, it was about the
               every sequence, which   – but I wrote Since You’ve Been Gone on   and suddenly Kiss walk up in their make-   speed Kiss made it. I don’t mind that most
               made it very different.   a piano as well. As a kid I’d learnt classical   up and platform heels, about seven-and-a-  people think it’s a Kiss song. Apparently,
               Y’know, it’s such a sad,   piano. As soon as my mum and dad left   half feet tall. And it was a brilliant show.”  Gene said on the TV show School Of Rock:
               fearful lyric. And
               although the Rainbow   the room, I was playing Jerry Lee Lewis.”    The tweaked title of Kiss’s version, God   ‘When I wrote God Gave Rock And Roll To
               version is up-tempo     Ballard presented the song to Argent     Gave Rock & Roll To You II, denoted that the   You…’ But at least the royalties are good.
               and loud and it’s got   at the band’s rehearsal space in St Albans,   New Yorkers had raised the tempo and   God knows how much money that song
               a big riff, when you
               play the song really   and marvelled as they cooked it up to the   rewritten the verse lyric. Now, instead of   has made me, but it’s probably bought me
               slow on the piano, with   seven-minute version that appears on   the quaint instruction to ‘love your friend and   my house.”
               the cellos, it makes it   their 1973 album In Deep (the song also   love your neighbour/Don’t step on snails, don’t   Although Kiss reached No.4 in the UK
               really quite dark.”
                                    reached UK No.18 on the singles chart).     climb in trees/Love Cliff Richard but please don’t   with their version, in January 1992, for   GETTY

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