Page 97 - Classic Rock (February 2020)
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All Is Dream – the album that   Paris concert, plus sundry other   have a certain charm, but what   They even made it on to MTV.   Prince had. But throughout that
            should have pushed these       stuff. And frankly… oh man!   they lack is the sort of high-  Cut to 1992, and labels were   decade, as both a solo artist and
            masters of delirium into the   QQQQQQQQQQ                    grade anthemic poise which so   looking to Seattle for their   the drummer and lead singer
            same stratospheric reaches     Everett True                  many American bands of that    musical fix, Junkyard dropped   with Genesis, he was a hit-
            as their brothers in arms the                                era had in abundance.          out of sight and Old Habits was   making machine. And from
            Flaming Lips… but still did very   Heavy Pettin                In truth, this sums up perfectly   put on the shelf. Where it   MTV to Live Aid, that round face
            nicely, thank you.             Rock Ain’t Dead               why Heavy Pettin had so much   remained until now.            was everywhere.
             Built around the twin wonders   BURNT OUT WRECKORDS         unfulfilled potential. Maybe a top-  Time has been kind to the   …But Seriously, his fourth solo
            of Jonathan Donahue (vocals,   Nearly-men of 80s British rock.  end producer would have got   album; everyone else changed,   album, released in 1989, was
            guitar) and Sean ‘Grasshopper’              For a short while   more from the material? Perhaps,   but Junkyard clearly didn’t.   a No.1 in 15 countries and went
            Mackowiak (guitar, keyboards,               in the mid-80s,   but we’ll never know.         Their ragged glory is there for   on to become the UK’s biggest-
            clarinet, tettix wave                       a lot was        QQQQQQQQQQ                     all to see. Stones and Skynyrd,   selling album of 1990, shifting
            accumulator), All Is Dream is               expected of      Malcolm Dome                   ZZ Top, the influences and     close to three million copies. But
            more capacious, sprawling and               Scottish band                                   grooves are self-evident. The   it wasn’t his best solo record,
            lush than its equally wonderful   Heavy Pettin. They’d made an   Junkyard                   band trample through Pushed    with nothing of the art-rock
            predecessor Deserter’s Songs,   impact in 1983 with debut album   Old Habits Die Hard ACETATE  You Too Far, do some soul   sensibility that was in evidence
            mostly thanks to the caprices   Lettin Loose, and Rock Ain’t Dead   Previously unreleased 1992   searching on Tried & True, and   on his 1981 solo debut Face Value
            of in-demand producer Dave     released two years later was   album finally comes out.      drink their way through the    and nothing as powerful as
            Fridmann. Think of songs such   presumed to be the album that              Back in the      melancholic Hangin’ Around     1982’s I Don’t Care Anymore to
            as opening single The Dark Is   would prove the band could                 mists of time,   With My Dreams, the glimmer    reassert his authority as the
            Rising, piano-engorged Chains   compete with the likes of Ratt             a band had only   of old Hollywood still sparkling   drummer’s drummer.
            and drop-dead cute Spiders     and Dokken. But things didn’t               to so much as    in their eyes.                  With cameos from some big-
            And Flies as one part Daniel   quite work out that way.                    tie a bandana    QQQQQQQQQQ                     name friends, including Eric
            Johnston, one part beloved      Now, 35 years later, it’s clear   around their noggin and affect   Philip Wilding          Clapton and Steve Winwood,
            US children’s TV presenter     why Heavy Pettin fell short. Yes,   a rasp and, it seemed, Geffen                           …But Seriously was a slick adult
            Mr Rogers, one part Leonard    there’s a lot of dynamism and   Records would swoop down     Phil Collins                   rock record with a broad range,
            Cohen, one part the dark side   power on the album, and      from the sunny Californian skies   …But Seriously RHINO       uplifting on Something Happened
            of 1950s Disney soundtracking,   guitarists Punky Mendoza and   and sign them up there and then.   A big hit, now on snazzy   On The Way To Heaven, and
            one part Jägermeister after    Gordon Bonnar have            But for every band like Warrior   turquoise vinyl.            sombre on Another Day In
            midnight on Avenue C… and      a distinctive flair. But none of   Soul there was a Roxy Blue.            Phil Collins was   Paradise – the latter a song about
            you’d still be nowhere near to   the songs reach the heights that   Junkyard were one of the              the unlikely     homelessness, for which Collins,
            capturing Mercury Rev’s        might have broken the band into   bands who fell through the               superstar of the   an outspoken Tory voter, was
            unique, elusive appeal.        the million-selling elite.    cracks, although alcohol and                 1980s. With      duly hammered by left-wing
             The four CD includes the       Having said that, Rock Ain’t   drugs didn’t help. That said, their        receding hair    critics. Even at his peak, the little
            original album, the required   Dead is a somewhat entertaining   1989 self-titled debut was a gem,   and ‘Man At C&A’ tailoring, he   fella couldn’t win ’em all.
            B-sides, demos and out-takes,   collection of songs. The title   all swaggering rootsy rock’n’oll   had none of the glamour that   QQQQQQQQQQ
            a live recording of an entire 2001   track, Angel and China Boy do   with hints of country and blues.   Michael Jackson, Madonna or   Paul Elliott




                                    The Dukes Of Stratosphear


                                    Psurroundabout Ride:

                                    The Complete Recordings APEHOUSE

                                    Surround-sound splendour from psychedelic XTC.




                       t the back end of 1984, three members     treatment, and the results are little
                       of XTC – Andy Partridge, Colin            short of fantastic.
               AMoulding and Dave Gregory – hooked                 The tracks that make up the
               up to make an album that sounded like it was      collection – which also includes new
               made as the original summer of love reached its   stereo mixes, instrumentals and
               paisley-patterned zenith. The foursome were       demos – are as good as the source
               rounded out by Gregory’s brother Ian on drums,    material being so accurately
               and the resulting mini-album, 25 O’Clock, paid    mimicked, and the production (by
               tribute to the music of early Pink Floyd, Magical   a clearly up-for-it John Leckie) is
               Mystery Tour-era Beatles, The Move, The Nice and   kaleidoscopic. Throw in cows, birds,
               the Small Faces, and one-hit wonders like The     rain, thunder, snatches of speeches
               Electric Prunes and Tomorrow. Two years later     and radio broadcasts. Loop it, phase it,
               they followed that with the album Psonic          flip it, reverse it. Add an ocarina solo
               Psunspot, and both were repackaged almost         and a snatch of slide whistle. Nothing
               immediately as the single collection Chips From   is off-limits, and everything works.
               The Chocolate Fireball.                           Mole From The Ministry is literally as
                  The two albums have now been repackaged        good as anything The Beatles did under the        freedom to be utterly fearless. None of it’s very
               again, with the almost obligatory phrase          influence, You’re A Good Man Arthur Brown out-    original, but that isn’t the point. It’s music made
               “Featuring Steven Wilson 5.1 Mix” marking this    Kinks The Kinks at their psychedelic Kinksiest,   with love and affection, recorded without
               reissue as being different from any of its        and Pale And Precious sounds like Brian Wilson    inhibition. It all sounds like a band having more
               predecessors. 5.1 might essentially be a marketing   at the creative height of his sand-pit period.    fun than is medically advisable. And Wilson’s mix
               gimmick to attract those with deep pockets and      Somehow, in the mid-to-late 80s XTC made        enables you to sit in the centre of the insanity.
               expensive audio set-ups, but Psurroundabout Ride:   their two finest albums by pretending to be     QQQQQQQQQQ
               The Complete Recordings is perfect for the        someone else altogether, as if doing so gave them   Fraser Lewry



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