Page 33 - (DK Eyewitness) Travel Guide - Cuba
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A  POR TR AIT  OF  CUBA      31






       Raúl Martínez (1927–95)
         and Guido Llinás were
       leading exponents of the
        abstract art movement
         that came to the fore
       in the 1950s–60s and later
       adopted the Pop Art style
      in representions of current-
      day heroes, as exemplified
       by Island 70 (1970) by Raúl
          Martínez, seen here.
                             Alfredo Sosabravo (b. 1930) – a painter, illustrator, engraver and
                             potter – tackles the themes of nature, man and machines with an
                             ironic twist. A leading figure, he has been active since the 1960s,
                             together with Servando Cabrera Moreno, a Neo-Expressionist,
                             Antonia Eiriz, a figurative artist, and Manuel Mendive, whose
                             subject is Cuba’s African heritage.



                                Flora Fong (b. 1949) –
                               along with Ever Fonseca,
                                  Nelson Domínguez,
                               Pedro Pablo Oliva, Tomás
                                 Sánchez and Roberto
                                 Fabelo – represents a
                               strand of 1970s painting,
                                which tended towards
                              abstraction without quite
                               losing sight of objective
                                reality. Her Dimensiones
                                del Espejo is seen here.
       Graphic Art                       Ceramics
       Graphic design, which first flourished during the   In 1950, the Cuban ceramicist
       colonial period, when it was used in the sugar and   and former physician Juan Miguel
       tobacco industries, with time became an independent   Rodríguez de la
       art form, with the creation of prestigious periodicals   Cruz brought
       such as Social. During the 20th century the growing   together a
       importance of marketing produced different types of   group of
       graphic art. In the 1960s, in the wake of the enthusiasm   leading
                         for the victorious            painters,
                         Revolution, well-             including
                         designed graphic              Wifredo Lam,
                         posters became a             René Porto-
                         natural part of the         carrero and Amelia
                         main political and   Decorated plate, Havana   Peláez, in Santiago
                         cultural campaigns,   Ceramics Museum  de las Vegas, near
                         and designs became          Havana, so that
                         ever more sophisticated.   they could all work on ceramic designs.
                         Use of graphic art is    This marked the beginning of a new
                         still very visible in   artistic genre in Cuba that today ranges
                         Cuba’s towns and cities   from crockery to sculpture, and also
                         and at the roadside all   includes installations and works for
                         over the island.
                                         home interiors. Wonderful examples
                         Poster by Alfonso Prieto for    of Cuban ceramics can be found in
                         July 26 celebrations  the Hotel Habana Libre (see p102).





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