Page 122 - BBC Wildlife Volume 36 #10
P. 122

VIEWPOINT






                                                                    WILDLIFE CHAMPION




                                                                        ATM







                           In our series about people with a passion for a species, we ask the

                                  wildlife artist ATM why he cares so much about kestrels?










            Why are kestrels special?                                                                               connection with nature.
            Because I trained them when I was                                                                       I recently painted a kestrel in Acton,
            growing up in Rochdale. I was 14                                                                        West London, on the side of emergency
            when I bought my first kestrel from                                                                     housing made of shipping containers
            a lad at school for £5. He hadn’t trained                                                               stacked four-high in a big estate.
            it so I read books about falconry – the                                                                 The bird is shown hovering above a
            best one was Jack Mavrogordato’s                                                                        wildflower meadow. We’ve also made
            A Hawk for the Bush, which was an                                                                       planters for growing vegetables and
            inspiration for me. He had such respect                                                                 herbs, insect houses and sown seeds
            for birds of prey and the complicated                                                                   to make real wildflower meadows
            and difficult art of training them.                                                                     around the tower blocks, as part of a
                                                                                                                    community project working with the
            What did training involve?                                                                              local school and youth groups. This
            It was a long process of stage-by-stage                                                                 kind of thing could have a huge impact
            increases in trust between the bird                                                                     if it was repeated in lots of other places.
            and me. I made all my own falconry                                      S  A kestrel is a
            equipment from leather: hoods and            Why are kestrel               magical sight.               How much time to you have
            jesses; leashes and lures. You need to       numbers falling?                                           to spend birdwatching?
            get a bird trained to the point where it     Kestrels hovering along       I love their                 Not as much as I’d like, but I’ve
            will fly 30 yards to your fist, then you     the roadside used to be       assured light                just been to Arne in Dorset where
            know it’s ready to fly free. The first time  a common sight, but                                        I heard the wonderful sound of
            it did was extremely nerve-racking.          they’re now a rarity. It      and the way                  nightjars. I grew up wandering the
               I’d get up every morning around           must be due to lack of        they hover.          T       valleys and woods around Rochdale
            6am before school and fly the kestrel,       habitat, plus farmers                                      and I love wild places and birdsong.
            swinging a lure round my head and            using more pesticides                                         Seeing a kestrel today is a magical
            snatching it away at the last moment,        and rodenticides. We’ve                                    sight. I love their assured flight and
            as the bird would swoosh overhead,           also lost meadows, field margins and                       watching them hovering above a field.
            arcing and diving after the food.            other unkempt areas. When I was                            They remind me of those sunny
                                                               growing up we used to go to                          days of my youth and the freedom of
                                                               an area simply known as ‘The                         exploring wild places.    Matt Swaine
                                                               Long Grass’ that was perfect
                                                               hunting terrain for kestrels – it                    ATM is a London-based street artist whose
                                                               was full of voles. Our constant                      work celebrates the beauty of threatened species.
                                                                                                                    See more of his art at atmstreetart.com
                                                               need for tidiness means we
                                                                don’t allow nature to grow wild.
                                                                So key habitats and the whole              The expert view
                                                                web of life, all the plants and
                                                                creatures that depend on each                            “The kestrel often hunts by hovering
                                                                other, just aren’t there.                                over rough grassland. Around 70 per
                                                                                                                         cent of their diet is made up of voles,   Portrait: Mark Atherton/The North Somerset Times; Kestrel: ATM; Stafan: Zsolt Nagy
                                                                What do you want your                                    whose numbers tend to peak every
                                                                artwork to achieve?                          three years. This corresponds to bigger clutches
                                                                I paint endangered species,                  of eggs. There have been significant population
                                                                mostly in urban areas, to reach              declines in the UK as a whole – around 35 per cent
                                                                people who may not have a                    – and the RSPB suggests this is driven by a loss
                                                                                                             of habitat, often due to more intensive agriculture.
                                                                 Left: ATM collaborated with Karen
                                                                 Francesca to create this kestrel and        Anti-coagulant rodenticides are another problem.”
                                                                 meadow painting in West London.             Stafan Roos is senior conservation scientist, RSPB


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