Page 17 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 17

INTRODUCTION 15























        movement, the Renaissance. As    continued to act as patrons to   symphony, the solo concerto,
        the taboo surrounding secular    composers and performers, but    and the string quartet. Music
        music disappeared, composers     there was also an increasing public   also became popular in the home
        expressed themselves more freely,   demand for opera and music in   as the swelling middle class
        and their music spread through   general, prompting investment in   acquired leisure time and musical
        Europe, especially after the     opera houses, concert halls, and   instruments, including the piano,
        invention of a method for printing   public theaters.             became more affordable.
        and therefore distributing music.   As the Baroque period
        No longer controlled by the Church,   progressed, composers such as    The Romantic period
        musicians sought employment      J.S. Bach and George Frideric    Despite its enduring influence, the
        in the aristocratic courts of Italy,   Handel created works of increasing   Classical period gave way to a new
        France, Britain, and the Netherlands,  complexity, taking advantage of    cultural movement almost as soon
        where they made a comfortable    the orchestras provided by their   as it had begun. As Romanticism,
        living providing entertainment.   aristocratic patrons. The music    with its emphasis on the individual,
           The Church still wielded some   of the “High Baroque” era was   swept through Europe, expression
        power, however, and after the    particularly expressive, often   took precedence over clarity.
        Reformation, a more austere musical   ornamented with trills and other   Composers stretched the Classical
        style was imposed on the Protestant   embellishments, and sometimes   forms to their limits in the quest
        churches in northern Europe, and   dazzlingly virtuosic.          for new sounds. They looked to
        even the Catholic authorities looked   For a while, the concertgoing   extramusical sources of inspiration,
        to curb the complexity of polyphony.   public flocked to hear the latest   such as art, literature, landscapes,
        Composers thus developed a simpler  orchestral showpieces, operas,    and human experience. ❯❯
        yet more expressive harmonic     and choral works, but then the
        style. Monteverdi’s Vespers of 1610    Enlightenment, the Age of Reason,
        broke new ground for sacred music   dawned, and fashions changed.
        by incorporating elements of this   There was suddenly a demand for
        exciting new style.              more elegant music emphasizing
                                         balance and clarity, leading to
        Musical explosion                the Classical period from which       What passion cannot
        Around the same time, in Florence,   “classical music” gets its name.   music raise and quell.
        a group of intellectuals called the   In a short time, Classical          John Dryden
        Camerata de’ Bardi came up with    composers, such as Mozart, Haydn,
        a new form of entertainment,     and Beethoven, established the
        combining music and drama to     musical forms that are the staple
        create opera. This was a success    of modern concert repertoires,
        in the aristocratic courts, which   including the four-movement





   US_014-017_Introduction.indd   15                                                                 26/03/18   1:00 PM
   12   13   14   15   16   17   18   19   20   21   22