Page 26 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 26

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                                        UT, RE, MI, FA,





                                         SOL, LA







                                         MICROLOGUS (c. 1026), GUIDO D’AREZZO







                                                  odern Western musical
          IN CONTEXT                              notation has its origins
                                         M in Europe’s monasteries
          FOCUS                          at the end of the first millennium.
          Early music notation
                                         The earliest musical symbols,
          BEFORE                         called neumes, were written aids
          500  ce Boethius, a Roman      for chants that used simple pen
          senator and philosopher, writes   strokes to remind the monks if
          De institutione musica, which   the music moved up or down, or
          was still in use as a music    remained on the same tone.
          primer in the 16th century.       Diastematic, or “heightened,”
                                         neumes brought more clarity
          935  ce In France, Odo of      to notated chant by formalizing
          Cluny’s Enchiridion musices    the note shapes and imagining
          becomes the first book to      a single horizontal line across
          name musical pitches with      the page. This gave a “horizon”
          the letters A to G.            against which the singer could   The Guidonian Hand was a system
                                         work out the pitch. Nonetheless,   invented to teach monks the easiest
          AFTER                          heightened neumes were open      way to reference the 20 notes of
          1260 German music theorist     to misinterpretation and greater   medieval liturgical music.
          Franco of Cologne writes       precision was needed.
          Ars cantus mensurabilis,                                        pitch was now not only fixed from
          which adds refinements to      Invention of the staff           note to note, but the singer knew
          Guido’s notation.              The solution, credited to Guido   at a glance on which note to start.
                                         d’Arezzo, an Italian monk and       Guido’s treatise Micrologus
          1300 In Paris, Johannes        music theorist (though he may    (c.1026) describes the singing
          de Garlandia writes De         have only formalized what was    aid for which he is best known, the
          mensurabili musica, describing   then current practice) was to draw   Guidonian Hand. If a modern singer
          the six rhythmic modes.        four lines across the page, allowing   has to describe a particular note,
                                         the singer to precisely gauge the   they might picture the continuous
                                         melody’s movement. Guidonian     row of notes using seven letters
                                         notation sometimes has one of the   from A to G, repeated over the
                                         lines in yellow ink to show the note   seven octaves of a piano. To specify
                                         C, and one in red to show F, so   a particular “C,” the singer might





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