Page 268 - (DK) The Classical Music Book - Big Ideas Simply Explained
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                                         THE ONLY LOVE AFFAIR


                                         I HAVE EVER HAD WAS



                                         WITH MUSIC



                                         PIANO CONCERTO FOR THE LEFT HAND (1929–1930),
                                         MAURICE RAVEL






                                                uring the 19th century, the   traditionalism. Composers such
          IN CONTEXT                            concerto grew in size and   as Elgar, Richard Strauss, and
                                         D scope in much the same         Rachmaninoff continued to focus
          FOCUS                          way as the symphony. In fact,    on virtuosity in the solo part, which
          Piano concertos for            some examples, such as Ferruccio   was balanced by a sumptuous
          the left hand
                                         Busoni’s Piano Concerto in C major,   orchestration. In contrast, Modernist
          BEFORE                         are essentially symphonies with   composers such as Debussy,
          1840 Charles-Valentin Alkan    solo parts that enhance the      Stravinsky, and Schoenberg took a
          composes his Fantasie for the   orchestral lines as much as they   different approach. In some cases,
          left hand, the first concert   provide dramatic conflict.       they took Classical and Baroque
          piece for one hand.                                             music as their models but used
                                         New forms                        dissonant material to create
          1878 Brahms publishes his      With the rise of Modernism, the   exciting neoclassical works.
          Bach D minor chaconne for      traditions of the concerto and the   Prokofiev, Bartók, and Ravel
          the left hand alone.           form itself were challenged, leading   continued to write concertos that
                                         some composers to new avenues of   resembled the Romantic form in
          1902 Hungarian composer        expression while others clung to   terms of length, orchestration,
          Géza Zichy, the world’s first                                   and ethos, with soloists providing
          professional one-handed                                         dramatic conflict with the orchestra
          pianist, writes the first piano                                 in a structure that showed off their
          concerto for the left hand.                                     virtuosic abilities. However, in
                                                                          these works, there is a far greater
          AFTER
          1931 Prokofiev completes his      Great music must come         focus on orchestral color and
                                                                          nontraditional accompaniments.
          piano concerto for the left hand.  from the heart. Any music    Wind and percussion instruments
          1940 Benjamin Britten writes     created by technique and       often had equal roles to the strings,
          Diversions for piano left hand   brains alone is not worth the   and a movement might even omit
          and orchestra.                      paper it is written on.     strings entirely, as in Bartok’s
                                                Maurice Ravel             Second Piano Concerto.
          2012 Nicholas McCarthy is
          the first one-handed pianist                                    Restriction and freedom
          to graduate from the Royal                                      One composition that broke all
          College of Music.                                               conventions was Ravel’s Piano
                                                                          Concerto for the Left Hand, a one-





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