Page 275 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 275

MODERN 1900–1950         273


                                         BALINESE MUSIC RETAINED


                                         A RHYTHMIC VITALITY BOTH

                                         PRIMITIVE AND JOYOUS


                                        TABUH-TABUHAN (1936), COLIN MCPHEE











                                                amelan is an orchestra
          IN CONTEXT                            that plays the traditional
                                         G music of the Indonesian
          FOCUS                          islands of Java and Bali. It is noted
          Gamelan influences
                                         for its wide use of percussion, such
          BEFORE                         as drums, gongs, and chimes. The
          1882 French composer           music was first exposed to a wide
          Louis-Albert Bourgault-        Western audience at the 1889 Paris
          Ducoudray writes Rapsodie      Exposition, where a gamelan from
          cambodgienne, which includes   Java inspired composers such as
          gamelan instruments.           Claude Debussy and Maurice Ravel.
                                                                          Gamelan musicians perform in Bali.
          1890 Erik Satie’s piano pieces   Elusive sounds                 The pitch of gamelan music varies
          Trois Gnossiennes echo the     The freedom and constant variation   between instruments, with most
          Javanese gamelan music he      of gamelan music made it difficult   orchestras using a five-tone scale rather
                                                                          than the seven tones of Western music.
          heard at the Paris Exposition   to capture. Therefore, in 1928, the
          the previous year.             German Odeon and Beka record
                                         companies sent agents to Bali to   Balinese, tabu-tabuhan refers to
          AFTER                          make gamelan recordings. A year   the rhythms and sounds of the
          1945 John Cage’s Daughters     later, Colin McPhee, a Canadian-  percussive gamelan instruments,
          of the Lonesome Isle is one of   born composer and follower of   which McPhee sought to recreate
          many gamelan-inspired pieces   “absolute music” (music that exists   using a Western orchestra. In 1941,
          written for “prepared piano”—   for its own sake), heard one of the   McPhee and the young Benjamin
          a piano in which the sound is   recordings. He was so mesmerized,   Britten made a recording of some
          modified by placing objects    he set off for Bali and spent much    gamelan transcriptions for two
          on or between the strings.     of the 1930s there studying the   pianos. Britten would continue to
                                         island’s music.                  draw inspiration from Balinese
          1951 American composer            McPhee’s three-movement       music, along with other composers,
          Lou Harrison writes Suite      symphonic work Tabu-Tabuhan      including Olivier Messiaen, John
          for Violin, Piano, and Small   was first performed in 1936. In   Cage, and Philip Glass. ■
          Orchestra, which includes
          movements that reproduce       See also: Parade 256–257   ■  Quartet for the End of Time 282–283   ■
          the sounds of a gamelan.       4´33˝ 302–305   ■  November Steps 314–315







   US_272-273_Prokofiev_McFee.indd   273                                                             26/03/18   1:01 PM
   270   271   272   273   274   275   276   277   278   279   280