Page 286 - (DK) The Classical Music Book - Big Ideas Simply Explained
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284


                                         I MUST CREATE


                                         ORDER OUT OF CHAOS




                                         A CHILD OF OUR TIME (1939–1941),
                                         MICHAEL TIPPETT











          IN CONTEXT

          FOCUS
          English choral tradition
          in the late 20th century
          BEFORE
          1928 Constant Lambert’s The
          Rio Grande premieres in a BBC
          radio broadcast.

          1931 William Walton’s cantata
          Belshazzar’s Feast launches at
          Leeds Festival.
          1950 Herbert Howell’s
          Hymnus Paradisi is sung at
          Gloucester Cathedral as part of
          the UK’s Three Choirs Festival.
          AFTER
          1962 The premiere of Britten’s
          War Requiem marks the
          consecration of Coventry           n the 18th century, frequent   A Child of Our Time is performed by
                                                                          the English National Opera in January
                                             performances of Handel’s
          Cathedral, in the UK.                                           2005. Timothy Robinson, seated, sings
                                         I oratorios in Britain established
          1984 Tippett’s oratorio The    a nationwide tradition of amateur   the tenor solo from the second part:
                                                                          “My dreams are all shattered.”
          Mask of Time premieres in      choirs and choral societies. These
          Boston, Massachusetts.         fueled the production of choral
                                         works by British and foreign     had continued to be a central
          2008 James MacMillan’s         composers, who often premiered   activity. During the 20th century,
          St. John Passion receives its   their works at choral festivals.  composers began to use the choral
          first performance at London’s     For many British composers,    tradition to write oratorios or
          Barbican Center.               the production of choral music—    cantatas for soloists, choir, and
                                         for the church or the concert hall—   large orchestra to comment on





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