Page 295 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 295

MODERN 1900–1950        293


        the next morning when, to the    Interludes (“Dawn,” “Sunday
        mournful sound of a foghorn,     Morning,” “Moonlight,” and
        reports emerge of a sinking      “Storm”), which are often performed
        vessel too far out to be rescued.  on their own. They serve to set the
                                         scene, evoke the emotions of the
        Building tension                 characters, and foreshadow the
        The music of Peter Grimes has    building drama, from gentle violins
        astonishing tensile strength,    and flutes depicting a coastal dawn
        what Peter Pears called “The bare   to an upsurge in the brass denoting
        minimum of notes to convey the   an approaching storm.
        maximum effect.” Such economy       Britten went on to write other
        of style, already apparent in    operas, including Billy Budd (1951)
        Britten’s early works, such as    based on Herman Melville’s novella
        A Boy was Born (1933) and Les    Billy Budd, Sailor, and Death in
        Illuminations (1939), was skeletal   Venice (1973), from the novel by
        compared to the English pastoral   Thomas Mann. In addition to
        school of composition. In Peter   carving a place for modern British
        Grimes, the music expresses the   opera in the international repertoire,
        drama at all times. In the quartet   Britten actively promoted music and
        “Hi! Give us a hand!” in the first   fellow composers. He also upheld
        scene of Act One, for example, all   the traditional elements of opera,
        four characters sing at the same   such as a good story, evocative
        time, mimicking an argument,     atmosphere, and a large and
        while the mix of song, speech, and   stirring chorus. Essentially, he
        laughter in the chorus’s “Assign   reclaimed the concept of opera
        your prettiness to me” in Act Three   as entertainment in an age when
        conveys the natural simplicity of the  minimalism ruled. ■
        villagers. Conversely, at the end of
        the opera, the canon of the chorus
        evokes the menace of the crowd.   Britten is memorialized in a
                                         window by John Piper in Aldeburgh
           Orchestral interludes are also   Parish Church. The Burning Fiery
        employed to great effect between   Furnace, depicted here, evokes
        acts, especially in the Four Sea   Britten’s three “church parables.”

                                         Music festivals                  music, founded by its citizens
                                                                          in 1877. In Italy, it was the
                                         Aldeburgh Festival, launched by   centenary in 1913 of Verdi’s
                                         Britten and his friends in 1948,   birth that prompted the first
                                         gained international status within   operas at the Arena di Verona,
                                         a few decades. It became the     where the city’s annual festival
                                         latest in a growing number of    is held in summer.
                                         international music festivals,      As in Europe, classical music
                                         including the Bayreuth Festival   festivals in the US flourished
                                         founded by Richard Wagner in     in the 1870s, though the Handel
                                         1876 to stage his own operas,    and Haydn Society in Boston
                                         and Salzburg’s festival of Mozart’s   held its first triennial festival
                                                                          as early as 1858. In the 20th
                                         The English Opera Group          century, the composer Henry
                                         carry props into the Jubilee Hall    Kimball Hadley staged concerts
                                         for Britten’s Let’s Make An Opera    in 1934 that evolved into the
                                         during Aldeburgh’s 1949 festival.   celebrated Tanglewood Festival.






   US_288-293_Britten.indd   293                                                                     26/03/18   1:01 PM
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