Page 305 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 305

CONTEMPORARY       303

        See also: Pierrot lunaire 240–245   ■  Parade 256–257   ■  Gruppen  306–307   ■
        In C 312–313   ■  Six Pianos 320   ■  Einstein on the Beach 321


                                         Cage’s experiments in sound led to
                                         his invention of the “prepared piano,”
                                         in which the piano has its sound
                                         altered by the placement of objects
                                         on or between the strings.


                                         view, espoused by Stravinsky,
                                         that even interpretation was
                                         unnecessary. The performer’s
                                         only concern, it claimed, was
                                         to reproduce the score without     John Cage
                                         interference. This attitude reached
                                         its apogee with the advent of      Born in Los Angeles in 1912,
                                         integral, or total, serialism, in    John Cage studied music
                                         which virtually all the musical    under Arnold Schoenberg and
                                         parameters were controlled by      Henry Cowell and used serial
                                         the compositional system.          techniques in his early works.
                                                                            By 1939, he had started to
                                         Cage the anarchist                 experiment with the prepared
                                         For the American composer John     piano, tape recorders, and
                                         Cage, this imbalance of power      other technology. His concert
        music” was coined to describe    toward the composer created        at the New York Museum of
        compositions in which chance     a musical hierarchy in opposition    Modern Art in 1943 brought
        plays a significant role. Early on,   to his socialist and anarchist   him to the attention of a wider
                                                                            musical community.
        Dadaists—an avant-garde art      beliefs. The only way this hierarchy   In the years that followed,
        movement—saw that chance could   could be undermined, he thought,   Cage explored Buddhism and
        form a part of a new aesthetic.   was if either the composer were   other eastern philosophies and
        French-American artist Marcel    less or the performer more a part    became fixated on the nature
        Duchamp composed two aleatory    of the compositional process. ❯❯    of music and its absence. His
        works between 1913 and 1915,                                        compositions brought fame
        while Frenchmen Francis Picabia                                     and infamy. Although he never
        and Georges Ribemont-Dessaignes                                     fully abandoned notated
        wrote works for performance at the                                  scores, his experimentalism
        Festival Dada in Paris, in 1920.                                    led to him becoming an icon
                                                                            of the Fluxus movement,
        The composer’s role                 If you develop an ear for       espousing “found” sound and
        Although aleatory music originated   sounds that are musical, it is   materials. Plagued by poor
        in pure experimentalism, it was    like developing an ego. You      health, Cage suffered a fatal
                                                                            stroke in 1992 at the age of 80.
        considered a serious concept by    begin to refuse sounds that
        the mid-20th century, a reaction to   are not musical and that way
        what had gone before. Ever since   cut yourself off from a good     Other key works
        composers had moved from figured       deal of experience.
        bass to full notation, performers         John Cage                 1946–1948 Sonatas and
        had gradually lost a sense of being                                 Interludes
                                                                            1958 Concert for Piano and
        actively creative musicians, and as                                 Orchestra
        improvised ornamentation fell by                                    1974–1975 Études Australes
        the wayside, and scores became                                      1987 Europeras I and II
        more detailed, there had been a





   US_302-305_Cage.indd   303                                                                        26/03/18   1:01 PM
   300   301   302   303   304   305   306   307   308   309   310