Page 316 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 316

314


                                         I DESIRE TO CARVE … A


                                         SINGLE PAINFUL TONE AS

                                         INTENSE AS SILENCE ITSELF


                                         NOVEMBER STEPS (1967),
                                         TORU TAKEMITSU









                                                akemitsu composed         In November Steps, Takemitsu
          IN CONTEXT                            November Steps in his     employs traditional Japanese
                                         T secluded private cottage       instruments—the shakuhachi
          FOCUS                          on Mount Asama in central        (an end-blown flute) and biwa (a
          East meets West
                                         Honshu, Japan’s main island. The   short-necked lute). His aim in this
          BEFORE                         only materials he had with him   piece was not to blend their sounds
          1903 Inspired by East Asia,    were Debussy’s original manuscript  into the Western orchestra but to
          and the European trend of      piano scores of Prélude à l’après-  contrast their timbre with those of
          exoticism, Claude Debussy      midi d’un faune and Jeux, with   a Western ensemble. He succeeded
          mimicked Chinese and           their multicolored notation and   in reviving the essential nature of
          Japanese melodies in Pagodes,   handwritten commentaries.       the Japanese instruments, creating
          the first movement of his                                       a striking intensity against the
          Estampes (Engravings).                                          orchestra’s sound stream, couched
                                                                          in a unique tone language.
          AFTER
          1991 In his Quotation of                                        A cosmic world of music
          Dream, subtitled “Say Sea,                                      Takemitsu was first exposed
          Take Me,” from a poem by                                        to Western Classical music,
          Emily Dickinson, Takemitsu                                      represented by such figures as
          quotes Debussy’s La Mer.                                        Debussy, Alban Berg, and Olivier
                                                                          Messiaen, during military service
          1998 Chinese American                                           in World War II. He would later
          composer Tan Dun dedicates                                      create his own cosmic world
          his Water Concerto for Water                                    of music that infused these
          Percussion and Orchestra to                                     influences with Eastern and
          the memory of Takemitsu.                                        Japanese sensitivity. Inspired by
                                                                          Debussy’s rare intuition, Takemitsu
                                                                          came to recognize the “light and


                                                                          The traditional biwa, used in
                                                                          November Steps, is played here in 2007
                                                                          in New York by Junko Tahara to music
                                                                          by Joji Yuasa, an early member of
                                                                          Takemitsu’s experimental workshop.





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