Page 350 - (DK) The Classical Music Book - Big Ideas Simply Explained

348 INDEX

Neo-romanticism 326 Poulenc, Francis 155, 262, 282
neoclassicism 248, 251, 282, 286 P Power, Leonel 42
Nepomuceno, Alberto 280 Pran Nath, Pandit 313
neumes 24, 31 Prelude to the Afternoon of a Faun (Debussy)
Neuwirth, Olga 328 Pacific 231 (Honegger) 268 228–231, 230, 242
Newman, John Henry 218, 219 Pacius, Fredrik 220 Préludes (Chopin) 165
Nielsen, Carl 220, 336 Paganini, Niccolò 96, 146–147, 147, 179 Préludes (Messiaen) 228, 283
Nietzsche, Friedrich 103, 193 Pagliacci (Leoncavallo) 194 “prepared piano” 303
Nights in the Gardens of Spain (Falla) 222 Paisiello, Giovanni 148 Prez, Josquin des 48, 50
Nijinsky, Vaslav 230, 248, 250 Palestrina, Giovanni Pierluigi da 42, 46–51, 264 Priest, Josias 75, 76
Nikolais, Alwin 300 Pankhurst, Emmeline 235 prima pratica 66, 67, 69, 101
nocturnes 164, 165 pantomime 34 primitivism 248–251
Nono, Luigi 338 Parade (Satie) 256–257 The Prince of the Pagodas (Britten) 198
North, Roger 81 Parsifal (Wagner) 183, 187, 198, 218 Prokofiev, Sergei 251, 266, 268, 272, 276, 309
The Nose (Shostakovich) 276, 277 Pärt, Arvo 313, 320, 329, 338 Prometheus: The Poem of Fire (Scriabin) 328
notation Partita (Shaw) 329 Protestant Reformation 48, 50, 78
early 22, 24–25 passacaglia 76 psalm settings 66, 67, 86, 216
revolution 36–37 passaggi 55 public concerts, establishment of 88
Notre Dame School 28, 31 Patria (Schafer) 322 Puccini, Giacomo 194–197
November Steps (Takemitsu) 314–315 pavan 57 Pulcinella (Stravinsky) 190, 223
The Nutcracker (Tchaikovsky) 191, 191 The Pearl Fishers (Bizet) 198, 237 Punch and Judy (Birtwistle) 290, 318
Nyman, Michael 313 Pears, Peter 291, 293 Purcell, Henry 70, 72–77, 86, 102, 124, 290
O Care, thou wilt despatch me (Weelkes) 54 Pedrell, Felipe 222, 223 Purgatory (Weisgall) 290
Oberon, King of the Elves (Wranitzky) 134, 136–137 Peer Gynt (Ibsen/Grieg) 208–209, 208
Obrecht, Jacob 43, 100 Pelléas et Melisande (Debussy) 229
Ockeghem, Johannes 50, 332 Penderecki, Krzysztof 100, 258, 261, 308, 310–311 Q R
Octet (Stravinsky) 286 Pénélope (Fauré) 210
October (Whitacre) 329 percussion 251, 268–269, 273
“Ode to Joy” (Schiller) 159, 162 The Perfect Fool (Holst) 290 Qawwali music 29
Odo of Cluny 24 Pergolesi, Giovanni Battista 107 Quartet for the End of Time (Messiaen) 282–283
Offrandes (Varèse) 242 Peri, Jacopo 62–63 Querelle des Bouffons 107
Ogdon, John 318 Pérotin 28, 29, 30, 31, 31, 124 Quiet Flows the Don (Dzerhinsky) 276
Oldfield, Mike 313 Perugia, Matteo da 37 Quotation of Dream (Takemitsu) 314
On Willows and Birches (Williams) 326 Peter Grimes (Britten) 237, 239, 290–293, 291 quotation technique 317
The Opening of the Wells (Martinu) 263 Peter and the Wolf (Prokofiev) 272 Rachmaninoff, Sergei 96, 147, 207, 260, 266, 272
opera
20th-century British 290–293 Petrucci, Ottaviano 43 Raff, Joachim 217
Petrushka (Stravinsky) 190
ragtime 258–260
21st-century 325
Baroque 74–77 Piano Concerto in A minor (Grieg) 179 Rain Tree Sketch II (Takemitsu) 315
characteristics 102 Piano Concerto for the Left Hand (Ravel) 266–267, A Rainbow in Curved Air (Riley) 313
Czech 206 267 The Rake’s Progress (Stravinsky) 68
early 62–63 Piano Concerto No. 1 in E minor (Chopin) 179 Rameau, Jean-Philippe 70, 107
female composers 234–239 Piano Concerto No. 2 in G minor (Saint-Saëns) 179 Rasputin (Rautavaara) 325
French 107 Piano Sonata in B minor (Liszt) 132, 270 Rastell, John 43
German Romantic 137, 149, 182–185 Piano Sonata in F-sharp minor (Clementi) 132, 133 Rattle, Simon 328
Italian 174–175 Piano Sonata No. 2 “Concord” (Ives) 254 Rautavaara, Einojuhani 325
minimalist 321 Piano-Rag-Music (Stravinsky) 260 Ravel, Maurice 178, 198, 207, 211, 228, 253, 256, 258,
Neapolitan School 116, 118 Piazzolla, Astor 280, 281 260, 266–267, 273
opera buffa 86, 107, 135, 148 Picabia, Francis 303 Read, Daniel 216
opera seria 118–119, 135 Picasso, Pablo 223, 251, 256 recitative 63, 66, 67, 74, 118, 197, 260
semi-opera 77 Pictures at an Exhibition (Mussorgsky) 207 The Red Poppy (Glière) 309
Singspiel 134–137, 149 Pièces de clavecin (Couperin) 82–83 Reich, Steve 312, 313, 317, 320, 320
verismo 194–197 Pierrot lunaire (Schoenberg) 242, 244–245, 244, Reichardt, Louise 234
zarzuela 222, 223 308, 318, 319 Reimann, Aribert 338
Zauberoper (“magic opera”) 134, 137 Pierrot Players (later, The Fires of London) 242, 319 Reincken, Johann Adam 79
oratorios 86, 89, 100, 101–105, 171–172, 218, 284 Pietrobono 56 Relâche (Satie) 256
see also choral music Pink Floyd 321 Renaissance music 38–57
Orbit, William 301 Pithoprakta (Xenakis) 308 Requiem (Berlioz) 172–173
Ordo Virtutum (Hildegard of Bingen) 27 The Place Where You Go To Listen (Adams) 322 Requiem (Fauré) 210–211
Oresme, Nicole 36 plainsong 22–23, 26, 37, 49, 50, 67, 68 Requiem (Verdi) 173, 210
Orfeo ed Euridice (Gluck) 118–119 The Planets (Holst) 290 Requiem for Strings (Takemitsu) 315
organa 28–31 Pleyel, Ignace Joseph 127 The (R)evolution of Steve Jobs (Bates) 326
orientalism 71 Poème électronique (Varèse) 269, 301 Revueltas, Silvestre 280, 281
Orpheus 62, 62, 63 polka 213, 214 Rhapsody in Blue (Gershwin) 258, 259, 260
Otello (Verdi) 174, 175 polonaise 165 The Rheingold (Wagner) 184, 187
ouverture 71 polyphony 28–31, 36–37, 48–51, 66, 67 Ribemont-Dessaignes, Georges 303
Owen, Wilfred 282, 285 polystylism 276, 278, 316, 319 Ricci, Federico 148
The Ox on the Roof (Milhaud) 262 Porgy and Bess (Gershwin) 260–261, 261 Ricci, Luigi 148

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