Page 36 - (DK) The Classical Music Book - Big Ideas Simply Explained
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34 SECULAR MEDIEVAL MUSIC


        Robin. The titular characters    identify the piece as pantomime   etiquette between a knight and
        perform the bulk of the music, in   (drama of spoken text with songs).   an idealized lady, based on the
        monophonic songs that de la Halle   Halle’s comedy knew no limits—he   principles of allegiance and fealty
        created by setting his own lyrics    poked fun at the church and its   that defined a noble life. De la
        to tunes in a popular style.     corrupt clerics, at the people of   Halle’s Robin and Marion played to
           Some have called it the “first   Arras, where he lived and worked,   this idea, as a depiction of a knight
        comic opera,” although modern    and even his own family and life.   trying to woo his love, but was
        audiences might more readily                                      also influenced by the French
                                         Chivalric tales                  pastoral storytelling tradition.
                                         The songs of both trobadors and     Trobador verse has survived
        Henry of Meissen performs at court
        in the Codex Manesse (1300). The   trouvères—have their roots in the   well: there are more than 2,000
        musician was called Frauenlob (“praise   medieval culture of fin’amor (courtly   extant poems composed by more
        of women”) for his chivalric songs.  love)—the chivalric code of   than 450 known poets. However,
                                                                          transmission of the musical
                                                                          accompaniment for these songs is
                                                                          patchy, with barely 10 percent of
                                                                          the poems having their associated
                                                                          melodies relayed in notation.
                                                                             Trouvère activity in northern
                                                                          France began with the 13th-century
                                                                          poet Chrétien de Troyes, about 70
                                                                          years after the first trobador in the
                                                                          south. The number of surviving
                                                                          trouvère songs is similar to that of
                                                                          the southern corpus, but more than
                                                                          60 percent of trouvère songs have
                                                                          music—albeit without precise
                                                                          information concerning rhythm.

                                                                          Southern Europe
                                                                          While trobadors and trouvères were
                                                                          a distinct group of courtly poets
                                                                          writing in specific poetic genres,







                                                                                When I see the lark
                                                                                  Set flight for joy
                                                                                toward the sun …
                                                                            It’s a marvel that my heart
                                                                                Does not melt with
                                                                               longing at the sight.
                                                                             Bernart de Ventadorn













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