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60   INTRODUCTION




          The earliest surviving   Jean-Baptiste Lully’s    Danish-German composer      Handel premieres his
          opera, Jacopo Peri’s   Le bourgeois gentilhomme   Dieterich Buxtehude’s       suite of short pieces
         Euridice, is composed in   satirizes social climbing   organ prelude Ein feste   Water Music on a
        honor of King Henry IV of   and the snobbish          Burg ist unser Gott       barge on the Thames
         France and his marriage   aristocracy of France     greatly influences the       River, hosted by
          to Maria de’ Medici.       under Louis XIV.           chorale genre.             King George I.






               1600                     1670                     C.1690                       1717


                            1610                      1689                      1714








                     Claudio Monteverdi’s         Henry Purcell’s           The publication of
                      Vespers incorporates      opera Dido and Aeneas      Arcangelo Corelli’s
                     polyphony and monody,     relates the mythical love    Twelve concerti grossi,
                         bridging the          affair between the Queen    Op. 6, establishes the
                        Renaissance and          of Carthage and the       concerto grosso as a
                        Baroque styles.            Prince of Troy.         style of composition.


               he Baroque period of music   accompaniment was of particular   built their music on major and
               started dramatically, with   significance: in the recitative   minor chords. Dramatic and
        T the performance of the         sections of early opera—the freely   contrasting effects were achieved
        world’s first opera, Jacopo Peri’s   composed expositions of the plot   by varying the loudness and tempo,
        Dafne, staged in Florence in 1598.   that connected the arias—the voice  moving the music between keys and
        The opera illustrates the dramatic   was accompanied by a single bass   instruments, and sometimes adding
        change in musical style from     instrument, such as a cello, and    embellishments such as trills.
        polyphony to something more      an instrument capable of playing    The revolutionary new style
        expressive—a change exploited    chords, such as a harpsichord    and the idea of a drama set to
        to great effect in Monteverdi’s   or lute. This accompaniment,    music proved very popular,
        Vespers, which contrasts sections   known as the “basso continuo,”    especially among the aristocracy
        in the old and new styles.       or simply continuo, became a     in Italy and France, who employed
                                         key feature of music in the Early   a staff of musicians and a resident
        Key developments                 Baroque period.                  composer to provide entertainment
        One of the main features of the     The importance of the continuo    in the courts. In addition to operas,
        Early Baroque period, and one that   was that it provided a harmonic   they performed instrumental
        must have been startling at the   base for the melody. While      music, and in the royal court at
        time, was a rejection of polyphony   Renaissance music had been   Versailles, Jean-Baptiste Lully
        in favor of a single line of melody   characterized by polyphony, the   assembled an orchestra to provide
        with a simple accompaniment.     new style was defined by harmony.   incidental music and dances for
        This “monody,” as it was called,   In place of interweaving melodies   the performance of the latest
        was an attempt to reproduce the   based on the ancient Greek scales   comedies by playwrights such
        style of Classical Greek drama. The   or modes, early Baroque composers   as Molière. This form of light





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