Page 75 - Metal Hammer Issue 334 - UK (May 2020)
P. 75
BURY TOMORROW
Bury Tomorrow (left to right): Davyd Winter-Bates,
Jason Cameron, Dani Winter-Bates, Kristan
Dawson, Adam Jackson
Producer Dan Weller and mixing/mastering genius Adam ‘Nolly’ Getgood take us inside the making of Cannibal
HOW DID WORKING ON DID YOU DO ANYTHING of takes and then they’ll and Jason [Cameron, clean (mixer): “What Bury
CANNIBAL DIFFER FROM IN THE STUDIO TO MAKE need to go and lie down.” singer and guitarist] came Tomorrow have got are
BLACK FLAME? THE BAND OPEN UP OR up with something. I was the big singing choruses,
Dan Weller (producer): GET CREATIVE? THE BAND REWORKED like, ‘That’s right, let’s go but they’ve still managed
“We felt like Black Flame Dan: “As Dani’s got SOME OF THE SONGS IN back in’, and we tracked it.” to keep the heavier riffs
defined the band but we older, he’s become more THE STUDIO – WHY? in there. That first riff
wanted less electronics comfortable excavating all Dan: “Originally Cannibal YOU WORKED ON that hits you on the record
on the new album. Black the deep stuff inside his had a completely different ARCHITECTS’ HOLY HELL. is awesome. I can imagine
Flame has been popular, head. I don’t tend to get chorus line and melody DO YOU THINK CANNIBAL all this material going
but I think we all agreed involved with his lyrics at and we ripped it out and CAN DO FOR BURY down an absolute storm
we didn’t want to go any all. He’s such a pro, he gets changed it. We had one TOMORROW WHAT in bigger venues. It’s
further down that route. in front of the mic and we liked, but it just wasn’t THAT ALBUM DID a different crowd from
We wanted to rip it back nails it. He’s lucky, a lot of popping. We were having FOR ARCHITECTS? Architects, but I think
to big riffs.” vocalists will do a bunch a cup of tea in the garden Adam ‘Nolly’ Getgood they could be just as big.”
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