Page 32 - (DK Eyewitness) Travel Guide - Sweden
P. 32

30      INTRODUCING  SWEDEN


        Swedish Design

        Swedish design first attracted international attention at the
        1925 World Exhibition in Paris, when glassware in particular
        took the world by storm and the concept of “Swedish Grace”
        was launched. The nation’s design tradition is characterized by
        simplicity and functionality, with a major emphasis on natural
        materials. Swedish designers and architects are renowned for
        creating simple, attractive, “human” objects for everyday use.
        The 20th century marked the beginning of a
        new golden age, in which Swedish design    Stoneware, Hans Hedberg
        has won worldwide acclaim.                Swedish ceramics from the
                                                  1940s, 50s and 60s, such as this
                                                  stoneware egg, are popular with
                                                  collectors around the world.







        Armchair (1969), Bruno Mathsson
        Bruno Mathsson, one of Sweden’s most famous
        20th-century furniture designers, is one of the
        creators of the style that became known as
        “Swedish Modern”. He designed the first version
        of the Pernilla armchair in 1942.


                                 Pale wood and
                                 simplicity is
                                 the concept
                                 most closely
                                 associated with
                                 Swedish style.




                                 Rag rugs are an old
                                 Swedish weaving
                                 tradition adopted
                                 by Karin Larsson,
                                 whose skill as a
                                 textile designer is
                                 widely recognized.
        Cabinet (1952), Josef Frank
        Frank was born in Austria, but worked in
        Sweden, and was another disciple of the
        “Swedish Modern” style. He is best known
        for his printed textiles, but he also
        designed furniture.

                     Carpet (1931), Märta Måås-Fjetterström
                   From 1919, Märta Måås-Fjetterström wove her
                    famous rugs at her studio in Skåne. Her work
                    was inspired by folklore and nature, and she
                     created a design concept that was new but
                             still firmly rooted in tradition.





   030-031_EW_Sweden.indd   30                              11/07/16   11:47 am
   27   28   29   30   31   32   33   34   35   36   37