Page 98 - Lighting & Sound America (December 2019) Magazine
P. 98

PEOPLE WORTH KNOWING






                                              Chad Tiller



                                              The new vice president, global live entertainment market
                                              at Rosco talks about the company’s evolution and what

                                              makes an effective salesperson.








                    LSA: How did you get started in the industry?      oping products. My story is not unique: I started as a boots-
                      : While my degree is in acting, I got a day job at  on-the-ground salesperson, moved to sales manager, then
                    Norcostco in Dallas in 2002 and fell in love with sales. My  to director of sales, and now into a VP role where I’m
                    mentor, Paul Callihan, taught me how to help customers get  focused on live entertainment. People have worked for the
                    what they need. Our goal was to be the place for answers,  company for 25, 30, 35, even 40 years or more; it is a place
                    whether or not we sell something. It was less about closing  where people will have not just a job but a career.
                    a deal and more about consultation and collaboration.
                                                                       LSA: What does your new position entail?
                    LSA: How did you join Rosco?                         : The official title is vice president, global live entertain-
                      : In 2007, we moved to New York so my wife could pur-  ment market. This is the first time Rosco has opted for spe-
                    sue a graduate degree. I started at Rosco as account repre-  cialization in the sales team. I’m looking at theatre, concert
                    sentative. Until recently, Rosco has been structured as a  touring, and special events lighting, and we have a team of
                    team of generalists; I covered the theatrical industry but also  specialists who are sales reps. In this new organizational
                    broadcast, film/TV, and architecture, and supported our  structure, we, similarly, have a film/TV and broadcast team
                    dealer network of retailers and rental shops. I jokingly tell  and an architectural market team. Because my background
                    people I had five full-time jobs!                  is theatre and because my heart and passion lie in the the-
                                                                       atre, it’s a kind of homecoming, if you will.
                    LSA: How has the company adapted to changing times?  For the past seven years we’ve focused on growing our
                      : We’ve always been adapting, for over 100 years. Rosco  presence as an LED manufacturer. A lot of our development
                    was founded in 1910 by Mr. Rosenstein, a chemist. The  has been in the film and TV segments; at the same time, we
                    company made paint thinner, turpentines, and other chemi-  were focused on building up our architectural brand associ-
                    cals, including a dipping lacquer to color the glass  ation and recognition. Now we’re rebalancing our focus on
                    envelopes of light bulbs. Rosco became the ubiquitous col-  the theatrical and live entertainment customer base, along
                    orant for the screw-in light bulbs in Times Square marquees.  with core products like gel and paint and gobos.
                    That led to making sheets of gelatin that became the ubiqui-
                    tous color gel. When plastic came along, it became colored  LSA: Do you think the relationship between sales and cus-
                    plastic. Over 109 years, we’ve picked up a number of prod-  tomers has changed over the years?
                    ucts, including full lines of scenic paint and dance floors. We    : A lot has changed as far as how people buy stuff, but I
                    manufacture our own dichroic filters. We manufacture  don’t think there’s ever been a replacement for the fact that
                    gobos, both custom and standard. We have the largest  customers have problems and you are trying to solve them
                    standard pattern catalog in the industry. And we’re in anoth-  in the easiest way possible. I can make their lives easier,
                    er reinvention period as LEDs take to the forefront.   either by presenting the right solution or connecting them to
                                                                       someone who has that knowledge. Once, at a party, I had
                    LSA: What is it like working at Rosco, now that Stan Miller  one lighting designer, recently out of a graduate program,
                    has transitioned to chairman and Mark Engel is CEO?  tell me they were hoping to assist at a higher level. About 30
                      : Mr. Miller still comes into the office every day. It’s nice  minutes later, I talked to another designer, who said, “You
                    to work at a company where the cultural figurehead of the  know, I’m just looking for a good assistant who’s got XYZ
                    organization is down the hallway. The first thing Mark did  skillset.” And I said, “Hold that thought!” I grabbed the first
                    when he stepped into the role of CEO was enumerate  designer and said, “Have you guys met?” That has nothing
                    Rosco’s values. We have eight formal values, but Mr. Miller  to do with selling a Rosco product, but that is exactly the
                    embodies them; he is the heart and soul at Rosco.  role of a salesperson. That was probably true in 1950 and
                      Rosco is as interested in developing people as in devel-  will probably be true in 2050.

         98 • December 2019 • Lighting& &Sound America
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