Page 48 - (DK Eyewitness) Travel Guide - Paris
P. 48

46      INTRODUCING  P ARIS

       Remarkable Parisians                    Political Leaders

       By virtue of its strategic position on the Seine, Paris has long   Hugh Capet, first King of the
       been the economic, political and artistic hub of France. Over   Franks, made Paris his capital
       the centuries, many prominent and influential figures from   in 987. Philippe Auguste (1165–
       other parts of the country and abroad have come to the city   1223) built the Louvre fortress
                                               and encircled the city with an
       to absorb her unique spirit. In return, they have left their   impressive wall. Henri IV (1553–
       mark: artists have brought new movements; politicians new   1610) was the first king to set
       schools of thought; musicians, film-makers and fashion   about making Paris a worthy
       designers new trends; and architects a new environment.  capital, building the Pont Neuf
                                               and Place des Vosges. Cardinal
                                               Richelieu (1585–1642), the power
                                               behind Louis XIII, created the
       Artists                                 Académie Française and the
       In the early 18th century,              Palais-Royal (see p130). Louis XIV
       Jean-Antoine Watteau (1684–             (1638–1715) continued the
       1721) took the inspiration for          process. Napoleon modernized
       his paintings from the Paris            Paris, building bridges and
       theatre. Half a century later,          canals, though it was his nephew
       Jean-Honoré Fragonard (1732–            Napoleon III who gave Paris its
       1806), popular painter of the           distinctive grands boulevards.
       Rococo, lived and died here,            Général Charles de Gaulle (1890–
       financially ruined by the               1970), founder of the Fifth
       Revolution. Later, Paris became         Republic, gave France back the
       the cradle of Impressionism. Its        prestige it had lost in the war. The
       founders Claude Monet (1840–            current direction of Paris is largely
       1926), Pierre-Auguste Renoir            in the hands of its first female
       (1841–1919) and Alfred Sisley   Sacré-Coeur by Utrillo (1934)  mayor, Anne Hidalgo (b.1959).
       (1839–99) met in a Paris studio.
       Henri de Toulouse-Lautrec   The Paris School eventually
       (1864–1901) drank and painted   moved to Montparnasse,    Films and Film-Makers
       in Montmartre, where Maurice   home to sculptors Auguste   Paris has always been at the
       Utrillo (1883–1955) was born   Rodin (1840–1917), Constantin   heart of French cinema. The
       and lived all his life. Utrillo   Brancusi (1876–1957) and    prewar and immediate post-
       painted many local scenes and   Ossip Zadkine (1890–1967).   war classics were usually made
       was one of the 20th century’s     Contemporary artists who   on the sets of the Boulogne
       greatest painters of cityscapes.   have developed international   and Joinville studios, where
       In 1907, Pablo Picasso (1881–  reputations include Christian   whole areas of the city were
       1973) painted the seminal    Boltanski (b.1944), known    reconstructed. Jean-Luc Godard
       work Les Demoiselles d’Avignon   for his large mise en scène   and other New Wave directors
       at the Bateau-Lavoir (see p230),   installations, video artist    preferred to shoot outdoors.
       where Georges Braque (1882–  Pierre Huyghe (b.1962)    Godard’s A Bout de Souffle (1960),
       1963), Amedeo Modigliani   and Sophie Calle (b.1953),   with Jean-Paul Belmondo and
       (1884–1920) and Marc Chagall   renowned for her photographic   Jean Seberg, was filmed in and
       (1887–1985) also lived.   and film installations.  around the Champs-Elysées.
                                               Catherine Deneuve (b.1943)
                                               made her name in Luis
                                               Buñuel’s Belle du Jour (1967).
                                                 In the 1980s came the
                                               cinéma du look, epitomized
                                               by visually stylish films such as
                                               Les Amants du Pont Neuf (1991),
                                               starring Juliette Binoche. A
                                               number of recent film directors
                                               have dwelt on darker, grittier
                                               themes. Mathieu Kassovitz’s
                                               La Haine (1995), for example,
                                               deals with racism and violence
                                               in the banlieues, while Céline
                                               Sciamma’s Bande de Filles (2014)
                                               focuses on black teenagers
                                               coming of age in a deprived
       Portrait of Cardinal Richelieu by Philippe de Champaigne (about 1635)  Paris suburb.




   046-047_EW_Paris.indd   46                               03/04/17   10:55 am
   43   44   45   46   47   48   49   50   51   52   53