Page 64 - (DK Eyewitness) Travel Guide - Paris
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62      INTRODUCING  P ARIS

       Artists in Paris

       The city first attracted artists during the
       reign of Louis XIV (1643–1715), and Paris
       soon became the most sophisticated
       artistic centre in Europe; the magnetism
       has persisted. During the 18th century,
       all major French artists lived and worked
       in Paris. In the latter half of the 19th
       century and early part of the 20th century,
       the French capital was the European
       centre of modern and progressive art,
       and movements such as Impressionism,
       Post-Impressionism, Divisionism, Fauvism   Boucher’s Diana Bathing (1742), typical of the Rococo style (Louvre)
       and Cubism were founded and blossomed
       in the city. Many artists from all around
       the world came to Paris to display their     1793 Louvre opens
       works in the many exhibitions and salons.      as first national
                                                       public gallery


                          1667 First Salon, France’s official art exhibition;
                          originally held annually, later every two years

       1600          1650           1700          1750          1800
       Baroque                      Rococo           Neo-Classicism  Romanticism/     Realism
       1600          1650           1700          1750          1800



         1627 Vouet
        returns from
         Italy and is
         made court
       painter by Louis
         XIII. Vouet
       revived a dismal
        period in the
         fortunes of
       French painting
                        Philippe de Champaigne’s Last Supper (about
                        1652). His style slowly became more Classical   1819 Géricault paints
                        in his later years (Louvre)   The Raft of the Medusa, one of
                                                      the greatest works of French
                                                         Romanticism (see p124)
                     1648 Foundation of
                     the Académie Royale
                     de Peinture et de
                     Sculpture, which had
                     a virtual monopoly
                     on art teaching

       Vouet’s The Presentation
       in the Temple (1641) with
       typically Baroque contrasts
       of light and shade (Louvre)
                                               David’s The Oath of the Horatii (1784), in the
                                                      Neo-Classical style (Louvre)




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