Page 89 - (DK Eyewitness) Travel Guide - Venice & The Veneto
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BASILIC A  SAN  M ARC O      87


                                               from the island of Chios and
                                               transported to Venice in 1125.
                                               To its left the Mascoli Chapel,
                                               used in the early 17th century
                                               by the confraternity of Mascoli
                                               (men), is decorated with scenes
                                               from the life of the Virgin Mary.
                                               The altarpiece has statues
                                               depicting the Virgin and Child
                                               between St Mark and St John.
                                                 The third chapel in the left
                                               transept is home to the icon
                                               of the Madonna of Nicopeia.
                                               Looted in 1204, she was
                                               formerly carried into battle at
       Noah and the Flood – atrium mosaics from the 13th century  the head of the Byzantine army.
       Sanctuary and Pala d’Oro  Baptistry and Chapels
       Beyond the Chapel of    The Baptistry (open for
       St Clement, tickets are sold to   prayer only) was added in
       view the most valuable treasure   the 14th century by Doge
       of San Marco: the Pala d’Oro.   Andrea Dandolo (1343–54)
       This jewel-spangled altarpiece   who is buried here. Under
       situated behind the high    his direction the Baptistry
       altar consists of 250 enamel   was decorated with outstanding
       paintings on gold foil, enclosed   mosaics depicting scenes from
            within a gilded    the lives of Christ and John the
             silver Gothic    Baptist. Sansovino, who
             frame. Originally   designed the font, is buried
              commissioned in   by the altar.
                Byzantium in      The adjoining Zen Chapel
                AD 976, the   (open for prayer only) originally
                altarpiece was   formed part of the atrium.
                embellished   It became a funeral chapel for   The revered icon of the Nicopeia Madonna,
                over the   Cardinal Zen in 1504 in return   once a war insignia
               centuries.   for his bequest to the State.
               Following the fall     In the left transept of the
               of the Republic,   Basilica the Chapel of St Isidore,   Treasury
              Napoleon helped   normally accessible only for   Although plundered after the
              himself to some    worship, was also built by   fall of the Republic and much
              of the precious   Dandolo. Mosaics in the barrel-  depleted by the fund-raising
              stones, but the   vault ceiling tell the tale of the   sale of jewels in the early
               screen still   saint, whose body was stolen   19th century, the treasury
               gleams                             nevertheless has a precious
        Statue of    with pearls,                 collection of Byzantine
       St Mark on the   rubies, sap-              silver, gold and glasswork.
        iconostasis  phires and                   Today, most of the
               amethysts.                         treasures are housed in
         The iconostasis, the                     a room whose remarkably
       screen dividing nave                       thick walls are believed
       from chancel, is adorned                   to have been a 9th-century
       with marble Gothic                         tower of the Doge’s Palace.
       statues of the Virgin and                  Exhibits include chalices,
       Apostles, and was carved                   goblets, reliquaries, two
       in 1394 by the Dalle                       intricate icons of the
       Masegne brothers.                          archangel Michael and
       Above the high altar                       an 11th-century silver-gilt
       the imposing green                         reliquary made in the
       marble baldacchino                         form of a five-domed
       is supported by finely                     basilica (see p85). The
       carved alabaster columns                   sanctuary, with over
       featuring scenes from    The archangel Michael, a Byzantine icon from the    100 reliquaries, is normally
       the New Testament.     11th century in the Treasury  open to the public.




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